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Index
Acknowledgments
Introduction: Populist Culture and Pulp Art
The Pulps: Their Weaknesses Were Their Strengths by Robert T. Reed
The Cover Artists and Their Publishers by Fred Cook
Yes, I Was There by Shirley Steeger
Science Fiction, Science Fact, and Fantasy: Painted Answers
When Pulp Art Was in Flower by Forrest J. Ackerman
Collecting Pulp Paintings: Dramatic Imagery and Color by Steve Kennedy
The Science Fiction Pulps by Sam Moskowitz
The New Knights
The Pulps and Their Illustrators: A Brief Survey by Walt Reed
The Lure of the Pulps: An Artist's Perspective by Jim Steranko
Remembering Rafael de Soto by John de Soto, AIA
The Noblest Savage
Important Pulp Paintings in the Burroughs Collection
A Conversation with J. Allen St. John, Dean of Fantasy Illustrators by Darrell C. Richardson
The Paper They're Printed on by Allison M. Scott
Ladies in Terror
Painting the Story by John Locke
The Art That Dared to Be Wild
Remembering Norman Saunders by Zina Saunders
To Dare the Devil: Aviation, War, and Western Art
The Cover Art of the Air-War Pulps by George Hocutt
Editing the Western Pulps by Bruce Cassidy
Where Have All the Paintings Gone? by Charles G. Martignette
Appendix I Vox Populi: Letters to the Pulps' Editors, 1929-46
Appendix II Original Pulp Paintings: A Collector's Guide
Appendix III Artists' Biographies
Bibliography
Index
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