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Index
DOVER BOOKS ON ART INSTRUCTION
Title Page
Dedication
Copyright Page
Introduction to the Dover Edition
Acknowledgments
Table of Contents
List of Illustrations from the Masters
1. The Meaning of Abstraction
EVOLUTION OF ABSTRACTION
LEARNING THE ABSTRACT LANGUAGE
WORDS VS. IMAGES
A STUDY PROGRAM AND MATERIALS YOU WILL NEED
2. Line
DOES LINE EXIST?
LINES ARE NOT LINES
STICK FIGURES
EXPRESSIVE USE OF LINE
FOUR ORDERS OF LINE
LINES OF GRAVITY AND LEVITATION
SUN AND EARTH: LIGHT LINES AND DARK LINES
LINE AS MOVEMENT AND TIME
LINEAR FORMS
LINE FORMS BASED ON THE CURVE
LINE FORMS BASED ON THE STRAIGHT LINE
COSMIC LINES
STREAMING LINES
LINES OF GROWTH AND STRUCTURE FORMATION
LINES OF BREAK, FRACTURE, AND SHEAR
LINES OF EROSION AND DECLINE
3. Form, Shape, and Mass
OUR INSTINCTIVE SENSE OF GEOMETRY
GOING BEYOND GEOMETRY
CATEGORIES OF FORM IN NATURE
FORMS OF ENERGY FIELDS
AERIAL AND ATMOSPHERIC FORMS
CLOUD FORMS
WATER AND LIQUID FORMS
SOLIDS AND EARTH FORMS
HOW WE SEE THE EARTH
CRYSTALS: A CLOSE VIEW
ROCKS AND BOULDERS
LARGER AND FARTHER EARTH FORMS
PLANT FORMS
FORMS OF ORGANISMS
FORMS OF DISINTEGRATION, DECAY, AND DEATH
4. Pattern
COSMIC PATTERNS
WEATHER AND ATMOSPHERIC PATTERNS
WATER PATTERNS
PATTERNS OF EARTH FORMS
PATTERNS IN PLANTS
PATTERNS OF BRANCHING
PATTERNS OF LEAVES
PATTERNS OF PLANT GROWTH
EFFECTS OF PLANTS ON ONE ANOTHER
PATTERNS OF LIVING CREATURES
PATTERNS OF FISH FORMS
PATTERNS OF BIRDS
PATTERNS OF VERTEBRATE ANIMALS
PATTERNS OF HUMAN FORM
5. Space, Proportion, Scale, and Perspective
INNER DEPTH
INNER PROPORTION
PROPORTION
SCALE AND SPACE
PLANES INTO SPACE
VISUAL ORGANIZATION
NATURAL PERSPECTIVE—THE VISUAL CONE
NATURAL PERSPECTIVE—THE VIEWPOINT
NATURAL PERSPECTIVE-PARALLEL LINES
NATURAL PERSPECTIVE-VANISHING POINTS
FORESHORTENING
SOME FINAL REMARKS ON PERSPECTIVE
6. Light and Darkness, Black and White
DAYLIGHT
SEASONAL ALTERATIONS OF DAYLIGHT
HOW WEATHER ALTERS DAYLIGHT
NIGHTLIGHT
FIRELIGHT
CANDLELIGHT
ELECTRIC LIGHT VS. NATURAL LIGHT
DARKNESS
LUMINOSITY IN PLANTS AND ANIMALS
ATMOSPHERIC LUMINOSITY
LIGHTNING
MEASURABLE CHARACTERISTICS OF LIGHT AND SHADOW
BRILLIANCE
INTENSITY OF LIGHT
DIRECTION OF LIGHT RAYS
REFLECTED LIGHT
CAST SHADOWS
LIGHT EFFECTS ON OBJECTS WITH PLANE SIDES
LIGHT EFFECTS ON CURVED SURFACES
COMPOSITIONAL USES OF BLACK AND WHITE
SILHOUETTES
LIGHT AND DARK LINES
ENGRAVERS’ LINES
REVERSES AND SHIFTS OF LIGHT AND DARKNESS
PLANES AND GRADATIONS OF ATMOSPHERIC LIGHT AND DARK
LIGHT AND DARKNESS IN PLANES OF SPACE
7. The Color Expressions of Nature
OUR INNER SENSE OF COLOR
AFTER-IMAGE COLOR PROGRESSION
PERSONAL COLOR SENSE
LOGIC OF PAINTS AND PIGMENTS
BLENDS AND GRADATIONS CAUSED BY LIGHT AND SHADOW
TINTING AND SHADING COLORS
COMPLEMENTARY COLOR VS. AFTER-IMAGE COLOR PROGRESSION
OPACITY AND TRANSPARENCY
TWO OPPOSING GROUPS OF COLOR
INTERACTION BETWEEN COLORS
MOMENTARY STATES OF COLOR
PRISMATIC COLORS, CORONAS, AND THE RAINBOW
COSMIC COLOR
ATMOSPHERIC COLOR
COLOR OF WATER AND LIQUIDS
EARTH COLORS
ROCK AND MINERAL COLORS
PLANT WORLD COLORS
FLOWERS, FRUITS, AND VEGETABLES
COLOR IN ANIMALS
COLOR IN FISH
COLOR IN INSECTS
COLOR IN REPTILES
COLOR IN BIRDS
COLOR IN MAMMALS
COLORS OF HUMAN BEINGS
AFRO-INDIAN PEOPLE
ORIENTAL PEOPLE
WESTERN EUROPEANS
COLOR RESONANCE AND HARMONY
Bibliography
Index
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