[Gutenberg 28023] • Pictorial Photography in America 1921 by America, Pictorial Photographers of -- Read -- Imperial Library of Trantor

Index

Illustrations Contents PAINTING WITH LIGHT THE YEAR'S PROGRESS An Interview with Henry Hoyt Moore

American Photographers Set the Pace The Soft Focus Lens No One Lens Is Sufficient Softness Desirable, Not Fuzziness Professional Photography Influenced by that of the Pictorialist The Popular Mediums Color Photography The “Secret” Is the Artist Hand Work vs. Straight Prints Commercial Possibilities for Pictorial Work Airplane Photography Elaborate Apparatus Not Always Necessary How Mr. White Judges a Photograph Motion Pictures and the Soft Focus Lens Is Photography to Remain a Black and White Art?

Dr. Chaffee Tells How He Makes Bromoils—With Reservations Evaded the Statute, but Made a Picture A Few Beliefs of a Negative Tendency Photographing on a Rainy Day How a “Rembrandt” Was Made He Thought She Was Crazy The Last of the Square Riggers As to Certain Soft Focus Lenses Mr. Latimer Expresses His Views Somewhat at Length Night Pictures in the Streets How to “Work Up” a Negative An Experience with a Railway Detective From a “Bathroom” Expert Mr. White's Method with Children Dragging a View Camera Through the Sands

The PICTORIAL PHOTOGRAPHERS of AMERICA Credits A Word from Project Gutenberg The Full Project Gutenberg License

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