[Gutenberg 42080] • The Voice in Singing by Seiler, Emma -- Read -- Imperial Library of Trantor

Index

Transcriber’s Note. The Voice in Singing

CONTENTS TRANSLATOR’S PREFACE INTRODUCTION I VOCAL MUSIC ITS RISE, DEVELOPMENT AND DECLINE II PHYSIOLOGICAL VIEW FORMATION OF SOUND BY THE ORGAN OF THE HUMAN VOICE

OBSERVATIONS WITH THE LARYNGOSCOPE BY MANUEL GARCIA EMISSION OF THE CHEST VOICE PRODUCTION OF THE FALSETTO MANNER IN WHICH THE SOUNDS ARE FORMED MY OWN OBSERVATIONS WITH THE LARYNGOSCOPE THE CHEST REGISTER THE FALSETTO REGISTER THE HEAD REGISTER ABNORMAL MOVEMENTS OF THE GLOTTIS RESULTS OF THE FOREGOING OBSERVATIONS PRACTICAL APPLICATION OF THESE OBSERVATIONS TO THE CULTIVATION OF THE SINGING VOICE

III PHYSICAL VIEW FORMATION OF SOUNDS BY THE VOCAL ORGAN

TONE, AND ITS LAWS OF VIBRATION THE PROPERTIES OF TONE (KLANG) THE TIMBRE (KLANGFARBE) OF TONES OVER-TONES (OBERTÖNE) THE VOWELS PARTIAL TONES BEATS (DIE SCHWEBUNGEN) APPLICATION OF THE NATURAL LAWS LYING AT THE FOUNDATION OF MUSICAL SOUNDS TO THE CULTURE OF THE VOICE IN SINGING THE CONTROL OF THE BREATH THE CORRECT TOUCH OF THE VOICE (TONANSATZ) 14 FORMATION OF VOWELS AND CONSONANTS FLEXIBILITY OF VOICE SPEECH

IV THE ÆSTHETIC VIEW OF THE ART OF SINGING

RHYTHM CORRECT UNDERSTANDING OF THE TEMPO COMPOSITION EXTERNAL AIDS TO A FINE EXECUTION TIME OF INSTRUCTION CONCLUSION

APPENDIX

STRUCTURE OF THE VOCAL ORGANS

THE LUNGS THE TRACHEA, OR WINDPIPE, THE LARYNX

Transcriber’s Note.

Textual representation of the diagram on page 68

IN THE MALE VOICE IN THE FEMALE VOICE