Photographic Possibilities, Third Edition by Hirsch, Robert -- Read -- Imperial Library of Trantor

Index

Photographic Possibilities: The Expressive Use of Equipment, Ideas, Materials, and Processes Copyright Page Table of Contents Preface Contributors to Photographic Possibilities CHAPTER 1 Essential Moments in Photographic Printmaking

The Language of Photography Concepts and Technology Affecting Photographic Printmaking Extending Photographic Boundaries Electronic Imaging: New Ways of Seeing Possessing a Sense of History

CHAPTER 2 Predarkroom Actions: Imaginative Thinking and Personal Safety

Establishing a Personal Creation Process Photographic Origins Thinking within a System Purposes of Photography Essential Safety Guidelines Contact Allergies, Chemical Sensitivities and Poison Control Disposing of Chemistry Darkroom Ventilation Water for Photographic Processes

CHAPTER 3 Image Capture: Special-Use Films, Processing and Digital Negative Making

Film and the Photographer General Film Processing Procedures Infrared Black-and-White Film Extended Red Sensitivity Film High-Speed Black-and-White Films Heightening Grain and Contrast Ultra-Fine Grain Black-and-White Film: Ilford Pan F Plus High-Contrast Litho Films Orthochromatic Film Paper Negatives and Positives: Contemporary Calotypes Reversing Black-and-White Film Instant Positive and Negative Film Film for Classic Cameras Processing Black-and-White Film for Permanence Digital Negative Making: An Overview Scanners

CHAPTER 4 Formulas of One's Own

Prepared Formulas or Mixing Your Own Basic Equipment Chemicals Preparing Formulas US Customary Weights and Metric Equivalents

CHAPTER 5 Black-and-White Film Developers

What Happens to Silver-Based Films During Exposure and Processing? Image Characteristics of Film Components and Characteristics of Black-and-White Developers Basic Developer Types Postdevelopment Procedures Film Developer Formulas and their Applications Is All this Necessary?

CHAPTER 6 Analog Fine Printmaking: Equipment, Materials, and Processes

The Analog Fine Printmaking Process Printing Equipment Standard Printing Materials Print Finishing Special Printing Materials Processing Prints for Permanence

CHAPTER 7 Black-and-White Paper Developers

Paper Developer and Developing-out Paper Components of Black-and-White Silver Print Developers Additional Processing Factors Controlling Contrast During Development Matching Developer and Paper Developer Applications and Characteristics Other Paper Developer Formulas

CHAPTER 8 Toning for Visual Effects

Processing Controls Basic Types of Toners Processing Prints to be Toned General Working Procedures for Toners Brown Toners Blue Toners Red Toners Green Toners Toning Variations

CHAPTER 9 Special Cameras and Equipment

What Is a Camera? The Pinhole Camera Custom Cameras Plastic Cameras Disposable Cameras Changing the Angle of View Panoramic Cameras Sequence Cameras Obsolete Special-use Cameras Stereoscopic Photography Stroboscopic Photography Underwater Equipment and Protection

CHAPTER 10 Historic and Alternative Processes: Beauty, Imagination and Inventiveness

Paper and the Image Viewing Experience Exposure Salt Prints Cyanotype Process Ambrotype Process: Wet-plate Collodion Positives on Glass Kallitype and Vandyke Brownprint Processes Chrysotype Process Platinum and Palladium Processes Gum Bichromate Process The Bromoil Process Gumoil Mordançage Lith Printing Electrostatic Processes: Copy Machines

CHAPTER 11 Transforming Photographic Concepts: Expanding the Lexicon

Hand-Altered Work Photograms Chemigram Cliché-Verre Extended Camera Exposures Postcamera Techniques: in Search if Time Multiple-Exposure Methods Fabrication: Happenings for the Camera Composite Variations Processing Manipulation: Reticulation Hand-Coloring Airbrushing Transfers and Stencils Cross-Processing: Slides as Negatives Pictures From a Screen

Index

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