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Index
Cover Half Title Page Title Page Copyright Contents Acknowledgements Dedication Introduction by Patricia T. O’Conner Part I: The Reader Over Your Shoulder
1. The Peculiar Qualities of English 2. The Present Confusion of English Prose 3. Where Is Good English to Be Found? 4. The Use and Abuse of Official English 5. The Beginnings of English Prose 6. The Ornate and Plain Styles 7. Classical Prose 8. Romantic Prose 9. Recent Prose 10. The Principles of Clear Statement—I 11. The Principles of Clear Statement—II 12. The Principles of Clear Statement—III 13. The Graces of Prose
Part II: Examinations and Fair Copies
Sir Norman Angell Irving Babbitt Earl Baldwin of Bewdley Clive Bell Viscount Castlerosse (later the Earl of Kenmare) Bishop of Chichester G. D. H. Cole Marquess of Crewe Dr. Hugh Dalton, M.P. Daphne Du Maurier Sir Arthur Eddington T. S. Eliot Lord Esher Admiral C. J. Eyres Negley Farson Major-Gen. J. F. C. Fuller Major-Gen. Sir Charles Gwynn Viscount Halifax Cicely Hamilton ‘Ian Hay’ Ernest Hemingway Aldous Huxley Prof. Julian Huxley Paul Irwin Sir James Jeans Prof. C. E. M. Joad Senator Hiram Johnson J. M. Keynes (later Lord Keynes) Com. Stephen King-Hall Dr. F. R. Leavis Cecil Day Lewis Desmond MacCarthy Brig.-Gen. J. H. Morgan, K.C. J. Middleton Murry Sir Cyril Norwood ‘Observator’ An Editor of the Oxford English Dictionary Eric Partridge ‘Peterborough’ Ezra Pound J. B. Priestley D. N. Pritt, K.C., M.P. Herbert Read I. A. Richards Bertrand Russell Viscount Samuel George Bernard Shaw Stephen Spender J. W. N. Sullivan Helen Waddell Sir Hugh Walpole H. G. Wells Prof. A. N. Whitehead Sir Leonard Woolley
About the Authors
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