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Index
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Table of Contents
Part One
Introduction: Finola Cronin and Eamonn Jordan
Abbey Theatre: Abbey Theatre: Abbey Tours to London after 1990
Anu Productions: Anu and the Dublin Fringe Festival
Barabbas… the company: Barabbas at Play with The Whiteheaded Boy
Sebastian Barry: The Poetic Theatre of Sebastian Barry
Out of History: From The Steward of Christendom to Annie Dunne
Blue Raincoat Theatre Company: Blue Raincoat Theatre Company and its Influences
Patricia Burke Brogan: Eclipsed
Marina Carr: ‘On bog, many bogs’: Theatrical Space, Visual Image and Meaning in Some Productions of Marina Carr’s By the Bog of Cats….
Marina Carr in the US: Perception, Conflict and Culture in Irish Theatre Abroad
Journeys in Performance: On Playing in The Mai and By the Bog of Cats…
Anne Devlin: Anne Devlin’s After Easter: Journeys and Vision
Anne Devlin in Conversation
Emma Donoghue: Lesbian Versions of the Female Biography Play: Emma Donoghue’s I Know My Own Heart and Ladies and Gentlemen
Fabulous Beast Dance Theatre: ‘Bogland Parodies’: The Midlands Setting in Fabulous Beast Dance Theatre and Marina Carr
Bernard Farrell: The Joyful Mysteries of Comedy
Field Day Theatre Company: Field Day: Local roots and global reach
Fishamble Theatre Company: Along the thin line: Dublin comedy in recent Fishamble and other plays
Brian Friel: ‘Singing of Human Unsuccess’: Brian Friel’s Portraits of the Artist
The Transience of the Visual Image in Touring Theatre: Brian Friel’s Dancing at Lughnasa
Olwen Fouéré: Olwen Fouéré’s Corpus: The Performer’s Body and her Body of Work
Olwen Fouéré in Conversation
Garry Hynes and Druid Theatre Company: ‘We’ll Be the Judges of That’: The Critical Reception of DruidSynge in the USA
Garry Hynes in Conversation
Marie Jones: Marie Jones and Charabanc: Popular Theatre in / for Northern Ireland
Purchasing Power: Material Culture and the Function of America in Marie Jones’s post Charabanc plays
Thomas Kilroy: The Modernity of Thomas Kilroy
Thomas Kilroy – Irish Modernist: a response to Nicholas Grene
Hugh Leonard: The Masks of Hugh Leonard: Da as an Irish Comedy
Leonard’s Progress: Hugh Leonard at the Dublin Theatre Festival
Patrick Mason: Patrick Mason: A Director’s Festival Golden Fish
Tom Mac Intyre: Slow Surrender: Finding a Theatrical Voice Through the Plays of the 1970s
Martin McDonagh: The Stage Irish Are Dead, Long Live the Stage Irish: The Lonesome West and A Skull in Connemara
Grotesque Entertainment: The Pillowman as Puppet Theatre
Frank McGuinness: Observe the Sons of Ulster: Historical Stages
A Director’s Perspective on Mutabilitie: Michael Barker Caven in conversation with Helen Lojek
Conor McPherson: The Art of Disclosure, the Ethics of Monologue in Conor McPherson’s Drama: St. Nicholas, This Lime Tree Bower and Port Authority
Respond or Else: Conor McPherson’s The Weir at the Donmar Warehouse
Gary Mitchell: Fighting the Peace: Counter-Narrative, Violence, and the Work of Gary Mitchell.
Tom Murphy: ‘The saga will go on’: Story as History in Bailegangaire
Voice and Violence in Murphy
The Fell of Dark: The Gigli Concert
Mark O’Rowe: At the Terminus in the Brain: Illusions of consciousness in Mark O’Rowe’s Terminus
A Sense Of Place, A Place Of Dread
Pan Pan Theatre Company: Pan Pan Theatre Company
Panti Bliss: Queer Performance, Affective Engagement, and the case of Panti Bliss
Stewart Parker: Pentecost
Billy Roche: The Cavalcaders: Billy Roche’s Signature Play
Reflections on the Muse
Rough Magic: Lynne Parker: “Radical” Director: Reflections of a Fellow Director
Second Skin: Costume and Body: Power and Desire
Gerard Stembridge: Living by the Code: Authority in Gerard Stembridge’s The Gay Detective
Enda Walsh: Enda Walsh and Space: The Evolution of a Playwright and Practitioner
On Directing and Performing the Theatre of Enda Walsh
Sculpting the Spaces of Enda Walsh’s Theatre: Sabine Dargent in Conversation
Part Two
The Irish Connection
Who The Hell Do We Think We Still Are? Reflections: On Irish Theatre and Identity
Theatre and the Act of Criticism – Afterword from Critical Moments
‘Strangeness made sense’: reflections on being a non-Irish Irish playwright.
Audience expectation and the expected audience – writing for the international stage
The Dublin Theatre Festival: Social and Cultural Contexts
The International Dance Festival Ireland of 2002: ‘the time has come to dance’.
Gender, Authorship and Performance in Selected Plays by Contemporary Irish Women Playwrights: Mary Elizabeth Burke-Kennedy, Marie Jones, Marina Carr, Emma Donoghue
Rape, Murder and Mayhem: Women Writing Violence
Framing Reality: A Case Study in Prison Theatre in Northern Ireland
The Utopian Performative in Post-Ceasefire Northern Irish Theatre
There’s Nothing Queer Here: The Abbey Theatre and the Problem of Practice
All We Say is ‘Life is Crazy’: – Central and Eastern Europe and the Irish Stage
Beyond the Passion Machine: The Adigun-Doyle Playboy and Multiculturalism
Beyond Ryanga: The Image of Africa in Contemporary Irish Theatre
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