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Index
Cover Page
Title Page
Copyright Page
Table of Contents
Table of Figures
Preface
Semantics
Part I: General Considerations
Chapter One: Introduction
A: What Do You Say After You Say Hello?
B: How Do You Say Hello?
C: An Illustration
D: The Handshake
E: Friends
F: The Theory
References
Chapter Two: Principles of Transactional Analysis
A: Structural Analysis
B: Transactional Analysis
C: Time Structuring
D: Scripts
Notes & References
Part II: Parental Programing
Chapter Three: Human Destiny
A: Life Plans
Magda
Della
Mary
B: On Stage and Off Stage
C: Myths and Fairy Tales
The Story of Europa
Little Red Riding Hood
A Martian Reaction
A Little Red Riding Hood Script
D: Waiting for Rigor Mortis
The Waiting for Rigor Mortis Script
The Story of Sleeping Beauty
E: The Family Drama
F: Human Destiny
G: HistoricalG Historical
Notes & References
Chapter Four: Prenatal Influences
A: Introductory
B: Ancestral Influences
C: The Conceptive Scene
D: Birth Position
E: Birth Scripts
F: Forenames and Surnames
Notes & References
Chapter Five: Early Developments
A: Early Influences
B: Convictions and Decisions
C: Positions – The Pronouns
D: Winners and Losers
E: Three-handed Positions
F: Positions – The Predicates
G: Selection of the Script
References
Chapter Six: The Plastic Years
A: Parental Programing
B: Thinking Martian
Butch
C: The Little Lawyer
D: The Script Apparatus
Notes & References
Chapter Seven: The Script Apparatus
A: The Script Payoff
B: The Injunction
C: The Come-on
D: The Electrode
E: Bags and Things
F: The Prescription
G: Parental Patterns
H: The Demon
I: Permission
J: The Internal Release
Chuck
K: The Script Equipment
Clementine
L: Aspirations and Conversations
M: Winners
N: Does Everyone Have a Script?
O: The Antiscript
P: Summary
Notes & References
Chapter Eight: Later Childhood
A: Plots and Heroes
B: Rackets
C: Trading Stamps
D: Illusions
E: Games
F: The Persona
G: The Family Culture
Notes & References
Chapter Nine: Adolescence
A: Pastimes
B: New Heroes
C: The Totem
D: New Feelings
E: Physical Reactions
F: The Front Room and the Back Room
G: Script and Antiscript
H: The World Image
I: Sweatshirts
You Can’t Trust Anybody
Doesn’t Everybody?
References
Chapter Ten: Maturity and Death
A: Maturity
B: The Mortgage
C: Addictions
D: The Drama Triangle
E: Life Expectancy
F: Old Age
G: The Death Scene
H: The Gallows Laugh
I: The Posthumous Scene
J: The Tombstone
K: The Testament
Notes & References
Part III: The Script in Action
Chapter Eleven: Types of Scripts
A: Winners, Nonwinners, and Losers
B: Script Time
C: Sex and Scripts
D: Clock Time and Goal Time
References
Chapter Twelve: Some Typical
A: Little Pink Riding Hood, or The Waif
B: Sisyphus, or There I Go Again
C: Little Miss Muffet, or You Can’t Scare Me
D: Old Soldiers Never Die, or Who Needs Me?
E: The Dragon-Slayer, or Daddy Knows Best
F: Sigmund, or If You Can’t Do It One Way, Try Another
G: Florence, or See It Through
H: Tragic Scripts
Notes & References
Chapter Thirteen: Cinderella
A: Cinderella’s Background
B: The Story of Cinderella
C: Interlocking Scripts
D: Cinderella in Real Life
E: After the Ball Is Over
F: Fairy Tales and Real People
Notes & References
Chapter Fourteen: How Is Script Possible?
A: The Plastic Face
B: The Moving Self
C: Fascination and Imprinting
D: The Odorless Smell
E: The Reach-back and the After-burn
F: The Little Fascist
G: The Brave Schizophrenic
H: The Ventriloquist’s Dummy
I: More About the Demon
J: The Real Person
Notes & References
Chapter Fifteen: Transmission of the Script
A: The Script Matrix
B: The Family Parade
C: Cultural Transmission
D: The Influence of the Grandparents
E: Overscripting
F: Blending of the Script Directives
G: Summary
H: Responsibility of the Parents
Notes & References
Part IV: The Script in Clinical Practice
Chapter Sixteen: The Preliminary
A: Introductory
B: The Choice of Therapist
C: The Therapist as a Magician
D: The Preparation
E: The ‘Professional Patient’
F: The Patient as a Person
Notes & References
Chapter Seventeen: The Script
A: The Script Signal
B: The Physiological Component
C: How to Listen
D: Basic Vocal Signals
1 Breathing Sounds
2 Accents
3 Voices
4 Vocabulary
E Choice of Words
1 Parts of Speech
2 OK Words
3 Script Words
4 Metaphors
5 Security Phrases
6 The Subjunctive
7 Sentence Structure
F: The Gallows Transaction
G: Types of Laughter
1 Scripty Laughs
2 Healthy Laughs
H: Grandmother
I: Types of Protest
J: The Story of Your Life
K: The Script Switches
Notes & References
Chapter Eighteen: The Script Treatment
A: The Role of the Therapist
B: Game Dosage
C: Motives for Therapy
D: The Therapist’s Script
E: Predicting the Outcome
F: The Script Antithesis
Amber
G: The Cure
References
Chapter Nineteen: The Decisive
A: Final Common Pathways
B: Voices in the Head
C: The Dynamics of Permission
D: Curing Patients vs Making Progress
Notes & References
Chapter Twenty: Three Case
A: Clooney
B: Victor
C: Jan and Bill
Part V: Scientific Approaches to Script Theory
Chapter Twenty-One: Objections to the Theory of Script
A: Spiritual Objections
B: Philosophical Objections
C: Rational Objections
D: Doctrinal Objections
E: Empirical Objections
F: Developmental Objections
G: Clinical Objections
Notes & References
Chapter Twenty-Two: Methodological Problems
A: Map and Territory
B: The Conceptual Grid
C: Soft Data and Hard Data
References
Chapter Twenty-Three: The Script Check List
A: Definition of a Script
B: How to Verify a Script
C: Introduction to the Script Check List
D: A Script Check List
E: A Condensed Check List
F: A Therapy Check List
References
Appendix
What Do You Say After You Say Hello?
Glossary
About the Author
Index
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