Log In
Or create an account -> 
Imperial Library
  • Home
  • About
  • News
  • Upload
  • Forum
  • Help
  • Login/SignUp

Index
Cover Page Title Page Copyright Page Table of Contents Table of Figures Preface Semantics Part I: General Considerations
Chapter One: Introduction
A: What Do You Say After You Say Hello? B: How Do You Say Hello? C: An Illustration D: The Handshake E: Friends F: The Theory
References
Chapter Two: Principles of Transactional Analysis
A: Structural Analysis B: Transactional Analysis C: Time Structuring D: Scripts
Notes & References
Part II: Parental Programing
Chapter Three: Human Destiny
A: Life Plans
Magda Della Mary
B: On Stage and Off Stage C: Myths and Fairy Tales
The Story of Europa Little Red Riding Hood A Martian Reaction A Little Red Riding Hood Script
D: Waiting for Rigor Mortis
The Waiting for Rigor Mortis Script The Story of Sleeping Beauty
E: The Family Drama F: Human Destiny G: HistoricalG Historical
Notes & References
Chapter Four: Prenatal Influences
A: Introductory B: Ancestral Influences C: The Conceptive Scene D: Birth Position E: Birth Scripts F: Forenames and Surnames
Notes & References
Chapter Five: Early Developments
A: Early Influences B: Convictions and Decisions C: Positions – The Pronouns D: Winners and Losers E: Three-handed Positions F: Positions – The Predicates G: Selection of the Script
References
Chapter Six: The Plastic Years
A: Parental Programing B: Thinking Martian
Butch
C: The Little Lawyer D: The Script Apparatus
Notes & References
Chapter Seven: The Script Apparatus
A: The Script Payoff B: The Injunction C: The Come-on D: The Electrode E: Bags and Things F: The Prescription G: Parental Patterns H: The Demon I: Permission J: The Internal Release
Chuck
K: The Script Equipment
Clementine
L: Aspirations and Conversations M: Winners N: Does Everyone Have a Script? O: The Antiscript P: Summary
Notes & References
Chapter Eight: Later Childhood
A: Plots and Heroes B: Rackets C: Trading Stamps D: Illusions E: Games F: The Persona G: The Family Culture
Notes & References
Chapter Nine: Adolescence
A: Pastimes B: New Heroes C: The Totem D: New Feelings E: Physical Reactions F: The Front Room and the Back Room G: Script and Antiscript H: The World Image I: Sweatshirts
You Can’t Trust Anybody Doesn’t Everybody? References
Chapter Ten: Maturity and Death
A: Maturity B: The Mortgage C: Addictions D: The Drama Triangle E: Life Expectancy F: Old Age G: The Death Scene H: The Gallows Laugh I: The Posthumous Scene J: The Tombstone K: The Testament
Notes & References
Part III: The Script in Action
Chapter Eleven: Types of Scripts
A: Winners, Nonwinners, and Losers B: Script Time C: Sex and Scripts D: Clock Time and Goal Time
References
Chapter Twelve: Some Typical
A: Little Pink Riding Hood, or The Waif B: Sisyphus, or There I Go Again C: Little Miss Muffet, or You Can’t Scare Me D: Old Soldiers Never Die, or Who Needs Me? E: The Dragon-Slayer, or Daddy Knows Best F: Sigmund, or If You Can’t Do It One Way, Try Another G: Florence, or See It Through H: Tragic Scripts
Notes & References
Chapter Thirteen: Cinderella
A: Cinderella’s Background B: The Story of Cinderella C: Interlocking Scripts D: Cinderella in Real Life E: After the Ball Is Over F: Fairy Tales and Real People
Notes & References
Chapter Fourteen: How Is Script Possible?
A: The Plastic Face B: The Moving Self C: Fascination and Imprinting D: The Odorless Smell E: The Reach-back and the After-burn F: The Little Fascist G: The Brave Schizophrenic H: The Ventriloquist’s Dummy I: More About the Demon J: The Real Person
Notes & References
Chapter Fifteen: Transmission of the Script
A: The Script Matrix B: The Family Parade C: Cultural Transmission D: The Influence of the Grandparents E: Overscripting F: Blending of the Script Directives G: Summary H: Responsibility of the Parents
Notes & References
Part IV: The Script in Clinical Practice
Chapter Sixteen: The Preliminary
A: Introductory B: The Choice of Therapist C: The Therapist as a Magician D: The Preparation E: The ‘Professional Patient’ F: The Patient as a Person
Notes & References
Chapter Seventeen: The Script
A: The Script Signal B: The Physiological Component C: How to Listen D: Basic Vocal Signals
1 Breathing Sounds 2 Accents 3 Voices 4 Vocabulary
E Choice of Words
1 Parts of Speech 2 OK Words 3 Script Words 4 Metaphors 5 Security Phrases 6 The Subjunctive 7 Sentence Structure
F: The Gallows Transaction G: Types of Laughter
1 Scripty Laughs 2 Healthy Laughs
H: Grandmother I: Types of Protest J: The Story of Your Life K: The Script Switches
Notes & References
Chapter Eighteen: The Script Treatment
A: The Role of the Therapist B: Game Dosage C: Motives for Therapy D: The Therapist’s Script E: Predicting the Outcome F: The Script Antithesis
Amber
G: The Cure
References
Chapter Nineteen: The Decisive
A: Final Common Pathways B: Voices in the Head C: The Dynamics of Permission D: Curing Patients vs Making Progress
Notes & References
Chapter Twenty: Three Case
A: Clooney B: Victor C: Jan and Bill
Part V: Scientific Approaches to Script Theory
Chapter Twenty-One: Objections to the Theory of Script
A: Spiritual Objections B: Philosophical Objections C: Rational Objections D: Doctrinal Objections E: Empirical Objections F: Developmental Objections G: Clinical Objections
Notes & References
Chapter Twenty-Two: Methodological Problems
A: Map and Territory B: The Conceptual Grid C: Soft Data and Hard Data
References
Chapter Twenty-Three: The Script Check List
A: Definition of a Script B: How to Verify a Script C: Introduction to the Script Check List D: A Script Check List E: A Condensed Check List F: A Therapy Check List
References
Appendix What Do You Say After You Say Hello? Glossary About the Author Index
  • ← Prev
  • Back
  • Next →
  • ← Prev
  • Back
  • Next →

Chief Librarian: Las Zenow <zenow@riseup.net>
Fork the source code from gitlab
.

This is a mirror of the Tor onion service:
http://kx5thpx2olielkihfyo4jgjqfb7zx7wxr3sd4xzt26ochei4m6f7tayd.onion