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Index
Cover
Title
Copyright
Contents
List of contributors
General editor’s preface
Acknowledgements
1. Introduction: Shakespeare and modernity
2. (Post)modern Elizabeth: Gender, politics, and the emergence of modern subjectivity
3. Ante-aesthetics: Towards a theory of early modern audience response
4. Shakespeare, modernity and the aesthetic: Art, truth and judgement in The Winter’s Tale
5. Measure for Measure and modernity: The problem of the sceptic’s authority
6. ‘Jew. Shylock is my name’: Speech prefixes in The Merchant of Venice as symptoms of the early modern
7. The Merchant of Venice: ‘Modern’ anti-Semitism and the veil of allegory
8. Jewish invader and the soul of state: The Merchant of Venice and science fiction movies
9. Shakespeare and the end of history: Period as brand name
10. The Hamlet formerly known as Prince
References
Index
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