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Index
Half title page
Cambridge Companions to Music
Title page
Copyright page
Contents
List of illustrations
Notes on the contributors
Foreword by
Acknowledgements
1 Introduction: choral music – a dynamic global genre
Part I Choral music: history and context
2 A brief anatomy of choirs c.1470–1770
3 Choral music in the culture of the nineteenth century
4 Choral music in the twentieth and early twenty-first centuries
5 The nature of chorus
Part II Choral music the world over
6 Choral music and tradition in Europe and Israel
7 Canada’s choral landscape
8 A multiplicity of voices: choral music in the United States
9 A hundred years of choral music in Latin America 1908–2008
10 Choral music in East Asia: China, Japan, and Korea
11 New voices in ancient lands: choral music in South and Southeast Asia
12 From chanting the Quran to singing oratorio: choral music in West and Central Asia
13 Voices of the Pacific: the (ch)oral traditions of Oceania
14 Choral music in Africa: history, content, and performance practice
Part III Choral philosophy, practice, and pedagogy
15 Globalization, multiculturalism, and the children’s chorus
16 Exploring the universal voice
17 Authentic choral music experience as “good work”: the practice of engaged musicianship
18 The making of a choir: individuality and consensus in choral singing
19 A point of departure for rehearsal preparation and planning
20 Small ensemble rehearsal techniques for choirs of all sizes
Notes
Select bibliography
Index
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