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Index
Title Page Copyright Page Introduction Acknowledgements I - FICTION
Daisy Miller: A Study Brooksmith The Real Thing The Middle Years The Turn of the Screw The Beast in the Jungle The Jolly Corner
II - REVISIONS
Daisy Miller The Portrait of a Lady
III - TRAVEL
From English Hours From Italian Hours From The American Scene France
IV - CRITICISM
On Whitman “brute sublimity” On Baudelaire - “This is not Evil . . . it is simply the nasty!” From Hawthorne - “No sovereign, no court, no personal loyalty, no aristocracy, ... On Emerson - “salt is wanting” The Art of Fiction - “the chamber of consciousness” “Try to be one . . . on ... From The Question of Our Speech - “Our national use of vocal sound, in men and ... From The Lesson of Balzac - “plated and burnished and bright” On Shakespeare - the “absolute value of Style” From the Preface to Roderick Hudson - “Really, universally, relations stop nowhere” From the Preface to The Portrait of a Lady - “The house of fiction has in short ... From the Preface to The Tragic Muse - “large loose baggy monsters”
V - AUTOBIOGRAPHY
The peaches d’antan The dancing teacher Madame Dubreil A daguerreotype taken by Mathew Brady The Galerie d’Apollon An obscure hurt The death of Minnie Temple At the grave of Alice James
VI - CORRESPONDENCE
A thirteen-year-old in Paris writes to a young friend On the Grand Tour Henry James, expatriate The literary scene in Paris Growing fame The friendship with Robert Louis Stevenson The death of Alice James The friendship with Hendrik C. Andersen The death of William James The publication of Boon, and the break with H. G. Wells
VII - DEFINITION AND DESCRIPTION
An American encounters some aristocrats An ambitious young Frenchwoman Sarah Bernhardt, the muse of the newspaper An American education An American is corrected on what constitutes “the self” An absolutely unmarried woman Philistine decor The really rich New York identity A Venetian majordomo Like a scene from a Maeterlinck play A private thought The seduction of Europe A femme du monde An intimate recollection of a beautiful woman Colossal immodesty The individual Jew New York City Hall The absence of penetralia New York power American teeth A young priest apart from the Roman carnival
VIII - NAMES
FROM THE FICTION FROM THE NOTEBOOKS
IX - PARODY
Frank Moore Colby - from IN DARKEST JAMES Max Beerbohm - THE MOTE IN THE MIDDLE DISTANCE BY H*NRY J*MES
X - LEGACY
W. H. Auden - AT THE GRAVE OF HENRY JAMES 1941 Joseph Conrad - from HENRY JAMES: AN APPRECIATION T. S. Eliot - from IN MEMORY Graham Greene - from HENRY JAMES: THE PRIVATE UNIVERSE Ezra Pound - from HENRY JAMES Edith Wharton - from A BACKWARD GLANCE 1934 Virginia Woolf - from REVIEW OF THE LETTERS OF HENRY JAMES 1920
Suggestions for Further Reading Selected Bibliography Permissions
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