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Imperial Library
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Index
Cover Page
Title Page
Copyright Page
Contents
Acknowledgments
Introduction
I. Racialization & Reimagination: Whitman & the New Americans
1. America Singing: An Address to the Newly Arrived Peoples
2. Song
3. Finding Family with Native American Women Poets
4. Walt and I: What’s American about American Poetry?
5. Inaugural Poems and American Hope
6. Refusal of the Mask in Claudia Rankine’s Post-9/11 Poetics
7. I Am Not a Man
II. The Unsayable & the Subversive
8. Shut Up and Be Black
9. Unsexing I Am Joaquín through Chicana Feminist Poetic Revisions
10. New Female Poets Writing Jewishly
11. Looking for Parnassus in America
12. The Radical Nature of Helene Johnson’s This Waiting for Love
13. Writing between Worlds
14. Letting Science Tell the Story
15. Identity Indictment
III. Imperialism & Experiments: Comedy, Confession, Collage, Conscience
16. Carrying Continents in Our Eyes: Arab American Poetry after 9/11
17. A Mystifying Silence: Big and Black
18. Writing White
19. Writing like a White Guy
20. Whiteness Visible
21. The Gentle Art of Making Enemies
22. No Laughing Matter: Race, Poetry, and Humor
23. The Unfinished Politics of Nathaniel Mackey’s Splay Anthem
IV. Self as Center: Sonics, Code Switching, Culture, Clarity
24. Code Switching, Multilanguaging, and Language Alterity
25. New Living the Old in a New Way: The Jazz Idiom as Post-Soul Continuum
26. Arthur Sze’s Tesselated Poems
27. Ed Roberson and the Magic Hour
28. Asian Americans: The Front and Back of the Bus
29. One Migh Could Heah They Voice: Conjuring African American Dialect Poems
30. What’s American about American Poetry
31. What It Means to Be an American Poet
Contributors
Index
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