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Index
Cover
Endorsement
Title Page
Copyright Page
Contents
Acknowledgements
Introduction: The Munby Archive
1 Academically Locating the Archive: History and Theory of Photography – The Nineteenth Century
Photography’s pre-industrial age: 1850–60
Back to the archive
The urban collection
2 What is a Photograph?
3 The City, Photography and Relations of Looking
Munby, photography and the flâneur
Mid-Victorian painting and the imagining of class
Photography and class in the mid-Victorian period
4 Who was Munby?: Useful Readings of the Munby Archive
Munby: the flâneur and man about town
5 Munby and the Turn to Photography: Hannah, the Private Urban Collection and the Search for Photographic Truth
Taking ‘attitudes’: the photographing of Hannah Cullwick
‘Attitudes’ posed by Munby
‘Attitudes’ of Hannah by commercial photographers
6 Starting to Collect: Munby and his Turn to Commercially Produced Photographs of Working-Class Women
Ensuring urban authenticity and controlling photographic indexicality
‘Photographic hunting and people studying’: photography and the new urban working class
Photographic acceptance: replacing the text with the image
7 Dressing Above Your Station and Making it Work for Him: Domestic Photographs of the Urban Working-Class Woman
Maidservants in working dress
The inherent problem of indexicality, gazing and power
Three photographs: three problems
Accepting photographic veracity and the formation of photographic genres in the 1860s and the 1870s
Photography and the formation and control of class difference
8 Under the Skin: Munby’s Photographs of Facially Disfigured Women – The Real and the Symbolic
Photography and the abject body
Photography, the real and the inhumanity of power
Notes
Introduction: The Munby Archive
Chapter 1: Academically Locating the Archive: History and Theory of Photography – The Nineteenth Century
Chapter 3: The City, Photography and Relations of Looking
Chapter 4: Who was Munby? Useful Readings of the Munby Archive
Chapter 5: Munby and the Turn to Photography: Hannah, the Private Urban Collection and the Search for Photographic Truth
Chapter 6: Starting to Collect: Munby and his Turn to Commercially Produced Photographs of Working-Class Women
Chapter 7: Dressing Above Your Station and Making it Work for Him: Domestic Photographs of the Urban Working-Class Woman
Chapter 8: Under the Skin: Munby’s Photographs of Facially Disfigured Women – The Real and the Symbolic
Bibliography
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