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THE POETICAL WORKS OF WILLIAM WORDSWORTH VOL. VI
CONTENTS
1814
1815
1816
1817
1818
1819
1820
WORDSWORTH'S POETICAL WORKS 1814
LAODAMIA
MEMORIALS OF A TOUR IN SCOTLAND
I
THE BROWNIE'S CELL
II COMPOSED AT CORA LINN,
III EFFUSION,
"FROM THE DARK CHAMBERS OF DEJECTION FREED"
IV YARROW VISITED
LINES
1815
DEDICATION TO THE WHITE DOE OF RYLSTONE
EPISTLE DEDICATORY
ARTEGAL AND ELIDURE
TO B. R. HAYDON
NOVEMBER 1
SEPTEMBER, 1815
"THE FAIREST, BRIGHTEST, HUES OF ETHER FADE"
"WEAK IS THE WILL OF MAN, HIS JUDGMENT BLIND"
"HAIL, TWILIGHT, SOVEREIGN OF ONE PEACEFUL HOUR"
"THE SHEPHERD, LOOKING EASTWARD, SOFTLY SAID"
"EVEN AS A DRAGON'S EYE THAT FEELS THE STRESS"
"MARK THE CONCENTRED HAZELS THAT ENCLOSE"
"SURPRISED BY JOY—IMPATIENT AS THE WIND"
1816
ODE The Morning of the Day appointed for a General Thanksgiving. January 18, 1816
ODE
INVOCATION TO THE EARTH[BI]
ODE[BL]
ODE
THE FRENCH ARMY IN RUSSIA, 1812-13[160]
ON THE SAME OCCASION[162]
SIEGE OF VIENNA RAISED BY JOHN SOBIESKI[BV]
OCCASIONED BY THE BATTLE OF WATERLOO[166]
OCCASIONED BY THE BATTLE OF WATERLOO[167]
"EMPERORS AND KINGS, HOW OFT HAVE TEMPLES RUNG"
FEELINGS OF A FRENCH ROYALIST,[172]
DION
A FACT, AND AN IMAGINATION;
"A LITTLE ONWARD LEND THY GUIDING HAND"
TO ——,
1817
VERNAL ODE[220]
ODE TO LYCORIS
TO THE SAME
THE LONGEST DAY
HINT FROM THE MOUNTAINS,
THE PASS OF KIRKSTONE[CV]
LAMENT OF MARY QUEEN OF SCOTS
1818
THE PILGRIM'S DREAM;
INSCRIPTIONS SUPPOSED TO BE FOUND IN AND NEAR A HERMIT'S CELL
COMPOSED UPON AN EVENING OF EXTRAORDINARY SPLENDOUR AND BEAUTY[DD]
1819
THIS, AND THE TWO FOLLOWING, WERE SUGGESTED[347] BY MR. W. WESTALL'S VIEWS OF THE CAVES,[DJ] ETC., IN YORKSHIRE
MALHAM COVE
GORDALE
COMPOSED DURING A STORM[357]
"AERIAL ROCK—WHOSE SOLITARY BROW"
THE WILD DUCK'S NEST
WRITTEN UPON A BLANK LEAF IN "THE COMPLETE ANGLER"
CAPTIVITY—MARY QUEEN OF SCOTS[373]
TO A SNOW-DROP[375]
"WHEN HAUGHTY EXPECTATIONS PROSTRATE LIE"
TO THE RIVER DERWENT
COMPOSED IN ONE OF THE VALLEYS OF WESTMORELAND, ON EASTER SUNDAY[380]
COMPOSED ON EASTER SUNDAY
"GRIEF, THOU HAST LOST AN EVER READY FRIEND"
"I WATCH, AND LONG HAVE WATCHED, WITH CALM REGRET"
I HEARD (ALAS! 'TWAS ONLY IN A DREAM)
THE HAUNTED TREE[DV]
SEPTEMBER, 1819
UPON THE SAME OCCASION
1820
COMPOSED ON THE BANKS OF A ROCKY STREAM
ON THE DEATH OF HIS MAJESTY (GEORGE THE THIRD)[396]
"THE STARS ARE MANSIONS BUILT BY NATURE'S HAND"
TO THE LADY MARY LOWTHER[EJ]
ON THE DETRACTION WHICH FOLLOWED THE PUBLICATION OF A CERTAIN POEM
OXFORD, MAY 30, 1820
OXFORD, MAY 30, 1820
JUNE, 1820
THE GERMANS ON THE HEIGHTS OF HOCK HEIM[407]
A PARSONAGE IN OXFORDSHIRE
TO ENTERPRISE
THE RIVER DUDDON
TO THE REV. DR. WORDSWORTH[429][ER]
I "NOT ENVYING LATIAN SHADES—IF YET THEY THROW"
II "CHILD OF THE CLOUDS! REMOTE FROM EVERY TAINT"
III "HOW SHALL I PAINT THEE?—BE THIS NAKED STONE"
IV "TAKE, CRADLED NURSLING OF THE MOUNTAIN, TAKE"
V "SOLE LISTENER, DUDDON! TO THE BREEZE THAT PLAYED"
VI FLOWERS
VII "CHANGE ME, SOME GOD, INTO THAT BREATHING ROSE!"
VIII "WHAT ASPECT BORE THE MAN WHO ROVED OR FLED"
IX THE STEPPING-STONES
X THE SAME SUBJECT
XI THE FAËRY CHASM[FJ]
XII HINTS FOR THE FANCY[FK]
XIII OPEN PROSPECT[FL]
XIV "O MOUNTAIN STREAM! THE SHEPHERD AND HIS COT"
XV "FROM THIS DEEP CHASM, WHERE QUIVERING SUNBEAMS PLAY"
XVI AMERICAN TRADITION
XVII RETURN
XVIII SEATHWAITE CHAPEL[FQ]
XIX TRIBUTARY STREAM[FV]
XX THE PLAIN OF DONNERDALE[FW]
XXI "WHENCE THAT LOW VOICE?—A WHISPER FROM THE HEART"
XXII TRADITION[FZ]
XXIII SHEEP-WASHING[GA]
XXIV THE RESTING-PLACE
XXV "METHINKS 'TWERE NO UNPRECEDENTED FEAT"
XXVI "RETURN, CONTENT! FOR FONDLY I PURSUED"
XXVII "FALLEN, AND DIFFUSED INTO A SHAPELESS HEAP"
XXVIII JOURNEY RENEWED
XXIX "NO RECORD TELLS OF LANCE OPPOSED TO LANCE"
XXX "WHO SWERVES FROM INNOCENCE, WHO MAKES DIVORCE"
XXXI "THE KIRK OF ULPHA TO THE PILGRIM'S EYE"
XXXII "NOT HURLED PRECIPITOUS FROM STEEP TO STEEP"
XXXIII CONCLUSION
XXXIV AFTER-THOUGHT
POSTSCRIPT
NOTE TO SONNETS XVII AND XVIII
MEMOIR OF THE REV. ROBERT WALKER
MEMORIALS OF A TOUR ON THE CONTINENT 1820
DEDICATION
I FISH-WOMEN—ON LANDING AT CALAIS
II BRUGÈS
III BRUGÈS
IV AFTER VISITING THE FIELD OF WATERLOO
V BETWEEN[482] NAMUR AND LIEGE
VI AIX-LA-CHAPELLE
VII IN THE CATHEDRAL AT COLOGNE
VIII IN A CARRIAGE, UPON THE BANKS OF THE RHINE
IX HYMN,
X THE SOURCE OF THE DANUBE
XI ON APPROACHING THE STAUBBACH, LAUTERBRUNNEN
XII THE FALL OF THE AAR-HANDEC
XIII MEMORIAL,
XIV COMPOSED IN ONE OF THE CATHOLIC CANTONS[499]
XV AFTER-THOUGHT
XVI SCENE ON THE LAKE OF BRIENTZ
XVII ENGELBERG, THE HILL OF ANGELS[504]
XVIII OUR LADY OF THE SNOW
XIX EFFUSION,
XX THE TOWN OF SCHWYTZ
XXI ON HEARING THE "RANZ DES VACHES" ON THE TOP OF THE PASS OF ST. GOTHARD
XXII FORT FUENTES[516]
XXIII THE CHURCH OF SAN SALVADOR, SEEN FROM THE LAKE OF LUGANO
XXIV THE ITALIAN ITINERANT, AND THE SWISS GOATHERD
XXV THE LAST SUPPER, BY LEONARDO DA VINCI, IN THE REFECTORY OF THE CONVENT OF MARIA DELLA GRAZIA—MILAN
XXVI THE ECLIPSE OF THE SUN, 1820[528]
XXVII THE THREE COTTAGE GIRLS
XXVIII
XXIX STANZAS
XXX ECHO, UPON THE GEMMI
XXXI PROCESSIONS
XXXII ELEGIAC STANZAS
XXXIII SKY-PROSPECT—FROM THE PLAIN OF FRANCE
XXXIV ON BEING STRANDED NEAR THE HARBOUR OF BOULOGNE
XXXV AFTER LANDING—THE VALLEY OF DOVER NOV. 1820
XXXVI AT DOVER[JG]
XXXVII DESULTORY STANZAS,
APPENDIX
ADDENDUM
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