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Index
RODIN
THE MAN AND HIS ART
WITH LEAVES FROM HIS NOTE-BOOK
COMPILED BY JUDITH CLADEL
AND TRANSLATED BY S.K. STAR
WITH INTRODUCTION BY JAMES HUNEKER
AND ILLUSTRATED WITH PHOTOGRAPHS
AUGUSTE RODIN
I
II
CONTENTS
THE MAN AND HIS ART
THE CAREER OF RODIN
CHILDHOOD. YOUTH. FIRST STUDIES
RODIN AND THE BEAUX-ARTS
SOJOURN IN BELGIUM—"THE MAN WHO AWAKENS TO NATURE"—REALISM AND PLASTER CASTS
FLEMISH PAINTING—JOURNEYS IN ITALY AND FRANCE
RODIN'S NOTE-BOOK
I
ANCIENT WORKSHOPS AND MODERN SCHOOLS
CONSTRUCTION AND MODELING
THE TRADITIONAL LAWS OF ANCIENT ART
II
SCATTERED THOUGHTS ON FLOWERS
III
PORTRAITS OF WOMEN
IV
AN ARTIST'S DAY
A MORNING IN THE GARDEN
AN ANTIQUE FRAGMENT
AN EVENING IN THE GARDEN
V
THE LINE AND THE STRUCTURE OF THE GOTHIC
THE GOTHIC BUILDERS ARE REALISTS
PLANS AND OPPOSITIONS
THE SCIENCE OF EQUILIBRIUM
THE LACEWORK OF STONE
THE NAVE
THE MOLDING
VI
ART AND NATURE
THE ANTIQUE—THE GREEKS
THE RICHNESS OF THE ANTIQUE LIES IN MODELING
RONDE-BOSSE AND CHIAROSCURO
ROME AND ROMAN ART
FOR AMERICA
VII
THE GOTHIC GENIUS
To THE RENAISSANCE AND THE EIGHTEENTH CENTURY
NOTRE-DAME
SAINT-EUSTACHE
CONCERNING COLOR IN SCULPTURE
THE EIGHTEENTH CENTURY
THE WORK OF RODIN
I
THE STUDY OF THE CATHEDRALS—INFLUENCE OF THE GOTHIC ON THE ART OF RODIN—"SAINT JOHN THE BAPTIST" (1880)—"THE GATE OF HELL"
"THE GATE OF HELL"
II
"THE BURGHERS OF CALAIS" (1889)—RODIN AND VICTOR HUGO—THE STATUE OF BALZAC (1898)
RODIN AND VICTOR HUGO
THE STATUE OF BALZAC (1898)
THE EXPOSITION OF 1900—THE BAS-RELIEFS OF EVIAN—RODIN AND THE WAR
THE END
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