Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
Cover
Title Page
Dedication
Contents
ACKNOWLEDGMENTS
INTRODUCTION
PART I
WHERE IT ALL BEGINS: PEAS IN A POD
CRITIQUE AND THE DEVELOPMENT OF JUDGMENT
BELL PEPPERS, GARLIC, BROKEN SHELLS, STILL LIFES
DRAWING FROM THE FIGURE
THE FIGURE IN A CHAIR
HANDWRITING: THE SCRIBBLE PAGE
MONKEYS, SKELETONS, DINOSAUR BONES
THE FIGURE AND THE SKELETON
LESSONS FROM THE MASTERS: HOMAGE AND REINVENTION
THE DUMB OBJECT
PAPER BAGS
GIACOMETTI AND PLANAR DRAWING
FLOWERS, PLANTS, AND MONDRIAN
SHOESCAPES
FEET AND LEGS
CLUTTER
THE FIGURE IN THE STUDIO
FRAME, WINDOW, ROOM
SKULLS, HEADS, PORTRAITS
TREES
PART II
GUILTY PLEASURE
GAUDÍ’S PHOTOGRAPHS
URBAN INTIMACY: THE MANICURE
FROM WHALES TO COAL MINES
DRAWING SWIMMING
FULTON FISH MARKET: FROZEN MOTION
THE PIANIST
SURREAL ABSTRACTION
FIGURE/FABRIC/FURNITURE
THE RACE
PORTRAIT OF A ROOM
GRANDFATHER STUDIES
THE OCEAN
GRANDMOTHER STUDIES
VOIDS, MATTER, SHADOWS
CENTERING A POT
PORTRAIT OF MY HUSBAND
PORTRAIT OF MY WIFE
FABRIC AND SKELETON
ANGELS: THE ANATOMY OF WINGS
CAMERA OBSCURA
CHESS HOUSE
THE GREETING
PORTRAIT AS LANDSCAPE
SEPTEMBER 11, 2001
PART III
Copyright
← Prev
Back
Next →
← Prev
Back
Next →