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Index
Cover Title Page Copyright Page Dedication Contents Foreword Acknowledgments Introduction Part I. Definitions and Debates
1. Culture Jamming: Hacking, Slashing, and Sniping in the Empire of Signs 2. Pranking Rhetoric: “Culture Jamming” as Media Activism 3. The Faker as Producer: The Politics of Fabrication and the Three Orders of the Fake 4. Putting the “Jamming” into Culture Jamming: Theory, Praxis, and Cultural Production during the Arab Spring 5. From Culture Jamming to Cultural Acupuncture
Part II. Critical Case Studies
6. Radical Scavenging Revisited: Emile de Antonio and the Culture Jamming of Compilation Film 7. Never Mind the Bollocks: Shepard Fairey’s Fight for Appropriation, Fair Use, and Free Culture 8. Facing: Image and Politics in JR’s Global Street Art (2004–2012) 9. Answering Back! Banksy’s Street Art and the Power Relations of Public Space 10. Co-Opting the Culture Jammers: The Guerrilla Marketing of Crispin Porter + Bogusky 11. Culture Jamming in Prime Time: The Simpsons and the Tradition of Corporate Satire 12. The Poetics of Ruptural Performance 13. Turning Tricks: Culture Jamming and the Flash Mob 14. Memes, Movements, and Meteorology: Occupy Wall Street and New Mutations in Culture Jamming 15. Jamming the Simulacrum: On Drones, Virtual Reality, and Real Wars 16. Balaclavas and Putin: Pussy Riot, Carnivalesque Protest, and Political Culture Jamming in Russia
Part III. Culture Jammers’ Studio
17. The Day I Killed Freedom of Expression 18. Notes on the Economic Unconscious from a Billionaire for Bush 19. Artwork and Commentary 20. Delocator.net: Using the Web to Organize and Promote Alternative Behaviors 21. The Yes Men: An Interview 22. Networked Reality Flow Hacks 23. IOCOSE: Art, Authority, and Culture Jamming 24. “Say Yes”: An Interview with Reverend Billy and Savitri D
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