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Index
Cover Page
Title Page
Copyright Page
Illustrations
Notes on contributors
General editors’ preface
Acknowledgements
Note on transliteration and translation
Introduction
Rediscovering Eisenstein
Part I Eisenstein studies today: text and context
Chapter 1 Arguments and ancestors
Chapter 2 Jay Leyda and Bezhin Meadow
Chapter 3 Eisenstein’s early films abroad
Chapter 4 Recent Eisenstein texts
Part II Eisenstein’s roots
Chapter 5 Eisenstein and Russian Symbolist culture
An unknown script of October
Chapter 6 Eisenstein’s theatre work
Chapter 7 Eisenstein’s Pushkin project
Chapter 8 Eisenstein and Shakespeare
Chapter 9 Graphic flourish
Aspects of the art of mise-en-scène
Part III The practice of theory
Chapter 10 Eisenstein as theoretician Preliminary considerations
Chapter 11 The essential bone structure Mimesis in Eisenstein
Chapter 12 Eisenstein and the theory of ‘models’; or, How to distract the spectator’s attention
Chapter 13 Eisenstein and the theory of the photogram
Chapter 14 The frame and montage in Eisenstein’s ‘later’ aesthetics
Notes
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