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Index
Title page Copyright page Dedication Acknowledgments Introduction Break 0 A Glossary of Key Terms 1 Memory Machine Myth: The Memex, Media Archaeology, and Repertoires of Archiving Break 1 Canon and Repertoire 2 Archival Styles: Universal, Community, and Alternative Digital Preservation Projects Break 2 Archive Elves 3 Queer and Feminist Archival Cultures: The Politics of Preserving Fan Works Break 3 Fan Time versus Media Time 4 Repertoire Fills the Archive: Race, Sexuality, and Social Justice in Fandom Break 4 “Works” or “Performances”? 5 Print Fans versus Net Fans: Women’s Cultural Memory at the Threshold of New Media Break 5 A Femslash Parable of the Print-to-Digital Transition 6 The Default Body and the Composed Body: Performance through New Media Break 6 Body and Voice in Fan Production 7 Archontic Production: Free Culture and Free Software as Versioning Break 7 Licensing and Licentiousness Conclusion Fan Data: A Digital Humanities Approach to Internet Archives Appendix: Oral History Project, Demographics, and Ethical Considerations References Index
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Chief Librarian: Las Zenow <zenow@riseup.net>
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