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Index
Cover
Title
Copyright
Contents
Advisory panel
Notes on contributors
Preface
Chapter abstracts
Colour plates
Function, condition and process in eleventh-century Anglo-Norman church architecture
Matilda and the cities of the Gregorian Reform
Romanesque Cathedrals in Northern Italy – building processes between bishop and commune
Episcopal patronage in the reform of Catalan Cathedral canonries during the first Romanesque period: A new approach
The role of kings and bishops in the introduction of Romanesque art in Navarre and Aragon
From Peláez to Gelmírez: the problem of art patronage at the Romanesque Cathedral of Santiago de Compostela
Patronage, Romanesque architecture and the Languedoc
The Armenian Cathedral of Saints James in Jerusalem: Melisende and the question of exchange between East And West
Grandmont and the English Kings: An example of patronage in the context of an ascetic architectural trend
The Hospital, England and Sigena: A footnote
Henry of Blois, St Hugh and Henry II: The Winchester Bible reconsidered
Patrons, institutions and public in the making of Catalan Romanesque art during the Comital period (1000–1137)
The artistic patronage of Abbot Gregorius at Cuixà: Models and tributes
A Limousin ciborium in medieval Catalonia
The Jaca ivories: Towards a revaluation of eleventh-century female artistic patronage in the Kingdom of Aragon
The Aemilian casket reliquary: A product of institutional patronage
Patronage at the Cathedral of Tarragona: Cult and residential space
An Anglo-Norman at Terrassa? Augustinian Canons and Thomas Becket at the end of the twelfth century
Agency and the re-invention of slab relief sculpture at San Isidoro de León c. 1100
Patron and liturgy: The liturgical setting of the Cathedral Church of San Martino in Lucca after 1070 and the Gregorian Reform
The ‘Literate’ lay donor: Textuality and the Romanesque patron
Remarks on patron inscriptions with restricted presence
The twelfth-century patrons of the Bridekirk font
The scope of competence of the painter and the patron in mural painting in the Romanesque period
The death of the patron: Agency, style and the making of the Liber Feudorum Maior of Barcelona
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