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Index
Cover
Half title
Series Page
Title
Copyright
Dedication
Contents
List of Illustrations
Acknowledgments
Introduction: Where Film Meets Philosophy
1. Phenomenology and the Viewing Subject
2. Film Connotation and the Signified Subject
3. Sound, Image, and the Order of Meaning
4. Alain Resnais and the Code of Subjectivity
5. Jean-Luc Godard and the Code of Objectivity
Conclusion: Where Film and Philosophy May Lead
Notes
Bibliography
Index
Series List
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