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Index
Cover Half Title Title Page Copyright Page Dedication Table of Contents Preface Acknowledgments Part One Basics
1 Music Fundamentals
Concepts and Terms Pitch Major Scales Key Signatures Minor Scales Rhythm Meter and Time Signatures
Notating Rhythm
Intervals Inversion of Intervals Triads Inversion of Triads Suspended Triad
2 Jazz Rhythm
Concepts and Terms General Characteristics Syncopation Swing Practicing Rhythm
Placement of Swing 8ths Phrasing Playing with a Metronome
3 Harmonic Function
Concepts and Terms Functional Tonality Triads in Major Keys Triads in Minor Keys Notational Conventions
Lead-Sheet Notation Roman Numerals Function Symbols
Functional Families
Major Key Minor Key
Voice-Leading Principles Basic Keyboard Applications
4 Four-Part Chords
Concepts and Terms Characteristics of Jazz Harmony Chord Categories
Major Category Minor Category Dominant 7th Category Intermediary Category
Inversions of Four-Part Chords Functional Families
Major Key Minor Key
“Drop 2” Voicings
5 Five-Part Chords
Concepts and Terms Chordal Extensions Addition of Extensions Chord Categories
Major Category Minor Category Dominant and Suspended Chords Dominant 7th Category Suspended Dominant Category Intermediary Category
Positions of Chords “Drop 2” Voicings
6 The II–V–I Progression
Concepts and Terms A Brief History The ii7−V7−Imaj7 Progression The −V7−i7 Progression Secondary Dominant 7th The Diminished 7th Chord Transformation of the Diminished 7th Chord
7 Modes
Concepts and Terms Parent-Scale Derivation of Diatonic Modes The Modes’ Characteristics Diatonic Modes
Major Modes—Ionian Major Modes—Lydian Major Modes—Mixolydian Minor Modes—Aeolian Minor Modes—Dorian Minor Modes—Phrygian Minor Modes—Locrian
Parent-Scale Derivation of Chromatic Modes Chromatic Modes
Minor Modes—Melodic Minor Minor Modes—Dorian ♭2 Minor Modes—Locrian ♮2 Major Modes—Lydian Augmented Major Modes—Mixolydian ♯11 Major Modes—Mixolydian ♭13 Major Modes—Altered
8 Chord—Scale Theory
Concepts and Terms Objectives of Chord-Scale Theory Chord-Scale Relationships
Major Category Minor Category Dominant Category Suspended Dominant Category Intermediary Category
The ii7−V7−Imaj7 Progression The −V7−i7 Progression
9 The Blues
Concepts and Terms Generic Blues Telling a Story Call and Response The Blues Scale
Major Blues Scale
Basic Blues Progression
Keyboard Realization Chord-Scale Relationships
Minor Blues
Chord-Scale Relationships
10 Improvisation
Concepts and Terms Getting Started Blues Riffs The Role of Guide Tones The Charleston Rhythm Exploring Guide Tones
Using 3rds and 7ths Using 3rds or 7ths The 3rd and 7th lines
Motivic Development
Repetition Transposition Expansion and Interpolation Contraction and Fragmentation Inversion
Part Two Intermediate
11 Jazz Lead Sheets
Concepts and Terms What Does a Lead Sheet Tell Us? Two-Level Analysis “My Romance” “All the Things You Are”
12 Keyboard Textures
Concepts and Terms Models of Keyboard-Style Playing
Model I Model II Model III Model IV Model V Model VI Model VII
13 Idiomatic Jazz Progressions
Concepts and Terms Tritone Substitutions
The ii7−V7−Imaj7 Progression and Tritone Substitutions
Turnarounds
The Imaj7−vi7−ii7−V7 Progression Harmonic Transformations
Tag Endings The Cycle of Dominant 7ths Progression The “Lady Bird” Progression “Coltrane” Substitutions Aural Identification of Four-Bar Progressions
The [ii7−V7]/X Interpolation Four-Bar Modulations The [−V7]/x Interpolation Two ii7−V7 Interpolations Miscellaneous Four-Bar Progressions
14 Voicings
Concepts and Terms Upper-Structure Triads
Dominant Aggregate
Rootless Formations Incomplete Voicings
15 Bebop
Concepts and Terms Bebop Scales
Major Bebop Scale Minor Bebop Scales Dominant Bebop Scale The Intermediary/Dominant Bebop Complex
Practicing Bebop Improvisation
Metric Placement—Scalar and Arpeggiation Patterns Addition of Extra Chromatic Notes Altered Bebop Scales The Diminished 7th Chord Triplets The ii7−V7−Imaj7 Progression Negotiating the Minor Seven Flat Five Chord The −V7−i7 Progression
16 Octatonic Scales
Concepts and Terms The 1/2 Octatonic Scale
Harmonic Potential Melodic Potential
The 2/1 Octatonic Scale
17 Bebop Blues
Concepts and Terms Three Harmonic Variants
Variant 1 Variant 2 Variant 3
Improvisation
18 “Confirmation”
Concepts and Terms “Confirmation”—An Analysis
Form and Harmony Melody and Rhythm
An Analysis of the Transcription Chord−Scale Relationship: Modes Chord−Scale Relationship: Bebop Scales
19 “Moose the Mooche”
Concepts and Terms “I Got Rhythm” Contrafacts “Moose the Mooche”—An Analysis
Form and Harmony Melody and Rhythm
An Analysis of the Transcription Harmonic Reworkings of Rhythm Changes Rhythm Changes Improvisation
The A Section: A Single-Scale Approach The A Section: A Two-Scale Approach The A Section: Chord Arpeggiations The B Section: A Single-Scale Approach
Part Three Advanced
20 Pentatonics and Hexatonics
Concepts and Terms Methodology Pentatonics
Basic Pentatonics Diatonic Pentatonics Chromatic Pentatonics Altered Pentatonics
The Pentatonic System
Major Category Minor Category Dominant Category Suspended Dominant Category Intermediary Category Harmonic Potential Melodic Potential
Hexatonics
Major Category Minor Category Dominant Category Suspended Dominant Category Intermediary Category Harmonic Potential Melodic Potential
21 Phrase Models
Concepts and Terms Phrase Prototypes Jazz Rule of the Octave Diatonic Phrase Models
Phrase Model 1 Phrase Model 2 Phrase Model 3 Phrase Model 4 Phrase Model 5
Chromatic Phrase Models
Phrase Model 6 Phrase Model 7 Phrase Model 8 Phrase Model 9 Phrase Model 10 Phrase Model 11 Phrase Model 12 Phrase Model 13
22 The AABA Song Form
Concepts and Terms Formal Prototypes The AABA On-Tonic Design
Classification of Standard Tunes
The AABA Off-Tonic Design
Classification of Standard Tunes
“Have You Met Miss Jones?”—An Analysis
The Verse The Chorus
23 The ABAC Song Form
Concepts and Terms The ABAC On-Tonic Design
Classification of Standard Tunes
The ABAC Off-Tonic Design
Classification of Standard Tunes
“All Of You”—An Analysis
The Verse The Chorus
24 Extended and Unusual Song Forms
Concepts and Terms Extended and Unusual Song Forms—A Compilation “Dream Dancing”—An Analysis
The Verse The Chorus
25 Jazz Reharmonization
Concepts and Terms Introduction Basic Reharmonization Techniques
Addition of Extensions Harmonic Expansion of Structural Chords Tonicization Tritone Substitutions Diminished 7th Chords Upper-Structure Triads Neighbor Formations Pedal Points Functional Exchange Melodic Recontextualization Interpolation of Auxiliary Progressions
Linear Approaches to Reharmonization
“All the Things You Are”
“Stella By Starlight”—A Reharmonization
26 “Line up”
Concepts and Terms Introduction Analytical Annotations An Analysis of the Transcription
Rhythmic Displacement Melodic Interpolation Playing Outside Structural Approach Advanced Techniques
The “Tristano Style” of Improvisation
Rhythmic Syntax Melodic Syntax Harmonic Syntax Voice Leading Phrasing Advanced Techniques
27 Post-Tonal Jazz
Concepts and Terms Introduction Basic Concepts
Integer Notation Pitch and Pitch Classes Intervals and Interval Classes
Trichords
Methodology for Figuring Out Normal and Prime Forms “Clock Face” as a Visual Aid to Identify Sets
Families of Trichords Harmonic Potential of Trichords
“Diatonic” PC-Set Complexes Whole-Tone PC-Set Complexes “Triadic” PC-Set Complexes Semitone PC-Set Complexes
Modal Potential of Trichords Transposition and Inversion of Sets Aural Identification of Trichords
Appendix A Play Along DVD Bibliography Credits Index
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