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Imperial Library
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Index
Cover Page
Title Page
Copyright Page
Contents
Introduction
PART I PERSONAL REFLECTIONS
The Musical Odyssey of an American Historian
PART II ATTEMPTS TO BRIDGE THE DISCIPLINES
“But a Musician” —The Importance of the Underdog in Musico-Historical Research
Angels and Furies Women and Popular Song during the French Revolution
Music, Memory, and the People in Selected British Periodicals of the Late Eighteenth and Early Nineteenth Centuries
Music by the “Celebrated Mozart” A Philadelphia Publishing Tradition, 1794–1861
Republican Jazz? Symbolism, Arts Policy, and the New Right
Progressive Ideals for the Opera Stage?
PART III CRITIQUES OF MUSIC AND HISTORY
Fictions of Alien Identities Cultural Cross-Dressing in Nineteenth- and Early Twentieth-Century Opera
Judge Harsh Blues
PART IV METHODOLOGICAL APPROACHES
Henry Purcell and The Universal Journal The Building of Musical Canon in the 1720s
Hearing History “Dixie,” “Battle Hymn of the Republic,” and Civil War Music in the History Classroom
The Multitrack Model Cultural History and the Interdisciplinary Study of Popular Music
Response
Contributors
Index
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