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Index
Cover
Title
Copyright
Contents
Figures
Tables
Acknowledgements
Contributors
Abbreviations
Introduction
PART I Creative personality and aesthetics
1 Music in the Technological Era
2 ‘… Music is a bit like love – you do it, but you don’t talk about it’
3 The innate melodist
4 Ligeti’s musical style as expression of cultural trauma
5 Making it home? The natural sciences as a site of belonging in György Ligeti’s music
PART II Influences and backgrounds
6 Reflections on Ligeti’s Jewish identity: unknown documents from his Cluj years
7 Ligeti and Romanian folk music: an insight from the Paul Sacher Foundation
8 Ligeti and the beginnings of Bartók analysis in Hungary
9 Bartók, Ligeti and the innovative middle road
10 From row to Klang: Ligeti’s reception of Anton Webern’s music
PART III Works
11 Genre as émigré: the return of the repressed in Ligeti’s Second Quartet
12 Sketches reflecting the images of San Francisco
13 Ironic self-portraits? Ligeti’s Hungarian Rock and Passacaglia ungherese
14 Tragedy and irony: the Passacaglia of the Violin Concerto
Bibliography
Index
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