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Index
NATURALISTIC PHOTOGRAPHY
PREFACE TO SECOND EDITION.
CONTENTS.
INTRODUCTION.
The Art of Photography.
A.—Art Division.
B.—Science Division.
C.—Industrial Division.
BOOK I. TERMINOLOGY AND ARGUMENT.
CHAPTER I. TERMINOLOGY.
CHAPTER II. NATURALISM IN PICTORIAL AND GLYPTIC ART.
Egyptian Art.
Monarchies of Western Asia.
Ancient Greek and Italian Art.
Early Christian Art.
Mediæval Art.
Eastern Art.
Chinese and Japanese Art.
The Renascence.
From the Renascence to Modern Times.
Germany.
Flemish Art.
Dutch Art.
France.
Sculpture.
CHAPTER III. PHENOMENA OF SIGHT, AND ART PRINCIPLES DEDUCED THEREFROM.
A. Light.
B. Direction of Light.
C. Intensity.
D. Colour.
E. Binocular Vision—Psychological Data.
F. Perspective.
Art Principles Deducted from the Data Cited.
BOOK II. TECHNIQUE AND PRACTICE.
CHAPTER I. THE CAMERA AND TRIPOD.
CHAPTER II. LENSES.
CHAPTER III. DARK ROOM AND APPARATUS.
CHAPTER IV. THE STUDIO.
FURNITURE.
CHAPTER V. FOCUSSING.
CHAPTER VI. EXPOSURE.
QUICK EXPOSURES,
TIME EXPOSURES.
CHAPTER VII. DEVELOPMENT.
CHAPTER VIII. RETOUCHING NEGATIVES.
CHAPTER IX. PRINTING.
CHAPTER X. ENLARGEMENTS.
CHAPTER XI. TRANSPARENCIES, LANTERN AND STEREOSCOPIC SLIDES.
CHAPTER XII. PHOTO-MECHANICAL PROCESSES.
CHAPTER XIII. MOUNTING AND FRAMING.
CHAPTER XIV. COPYRIGHT.
CHAPTER XV. EXHIBITIONS.
CHAPTER XVI. CONCLUSION.
BOOK III. PICTORIAL ART.
CHAPTER I. EDUCATED SIGHT.
CHAPTER II. COMPOSITION.
CHAPTER III. OUT-DOOR AND IN-DOOR WORK.
OUT-DOOR PORTRAITURE.
LANDSCAPE.
THE “LINES.”
AËRIAL PERSPECTIVE.
TONE.
COMPOSITION.
IMPRESSION.
SUBJECT OF THE PICTURE.
FIGURE AND LANDSCAPE.
STUDIO PORTRAITURE.
CHAPTER IV. HINTS ON ART.
CHAPTER V. DECORATIVE ART.
L'ENVOI. PHOTOGRAPHY—A PICTORIAL ART.
L'ENVOI. PHOTOGRAPHY—A PICTORIAL ART.
APPENDIX.
APPENDIX I.
APPENDIX II.
SCIENCE AND ART.
II.
III.
Conclusion.
INDEX.
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