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Index
Cover
Title
Copyright
Contents
List of Figures
Acknowledgements
Contributors
Introduction
PART I Art Museums and State Politics
1 From Universalist to National Art: Argentina's Museo Nacional de Bellas Artes, Buenos Aires
2 Mexico's Museo de Artes Plásticas: The Divergent Discourses of 1934 and 1947
3 History and Metamorphosis: Cuba's Museo Nacional de Bellas Artes
4 Incendiary Objects: An Episodio History of the Museu de Arte Moderna, Rio de Janeiro
PART II Art Museums as Constructions of Modernity
5 Pedrosa and Malraux: Impossible Meetings in the Museum of Copies
6 A Museum without a Venue: The Invention of the Museo de Arte Moderno de Bogotá, 1955ߝ1963
7 The Architecture of Mexico's Museo de Arte Moderno: A Stimulus to Museologicai Renewal
PART III Local Dynamics of Internationalism
8 The São Paulo Biennial Complex: MAM-BSP-MAC
9 Local Processes and Transnational Circuits: The Inter-American Project and the Birth of Modern Art Museums in Barranquilla and Cartagena
10 An Uneasy Alliance: The Early Years of the Museo Tamayo
11 Colección Jumex and Mexico's Art Scene: The Intersection of Public and Private
PART IV National and Regional Perspectives from the United States
12 Latin American Art at The University of Texas at Austin: The University Art Museum
13 Somehow Exceptional: El Museo del Barrio, New York
14 Museum as Battleground: Exile and Contested Cultural Representation in Miami's Cuban Museum
PART V Reimagining the Art Museum
15 Revolutionary Modernism: A "Museo de Arte Moderno Americano" Rehearsed in Print in Mexico City, 1926–1928
16 The Museum in Times of Revolution: Regarding Nemesio Antúnez's Transformation Program for Chile's Museo Nacional de Bellas Artes, 1969-1973
17 Critical Deviations in Latin American Museums: The Experiences of the Museo del Barro in Asunción, Paraguay and the Micromuseo in Lima, Peru
Index
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