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Index
Cover
Half Title
Title Page
Copyright Page
Table of Contents
List of illustrations
Acknowledgements
Introduction
1. The heartbeat of fandango
Tarima
A festivity unfolding
Organising fandangos
Interweaving movements
Conclusion
2. The historical circulation of son jarocho
Across the Atlantic
From Sotavento to the cities
Reviving a tradition
Beyond Sotavento
Conclusion
3. Learning at workshops
‘You hardly ever hear the galloping of a horse’
Entering the workshop
Preserving a changing practice
Adaptation and translation
Critical stances towards workshops
Conclusion: changing as it moves
4. Journeying with a practice
Orchestrating movement
‘Using whatever I had at hand’
The Emergence of Son Jarocho Groups
Touring the US as a workshop facilitator
Conclusion
5. Rhythm, a manner of flowing
Repetition and process
(Re)configuring rhythms
The rhythm and metre of fandango
Structures of improvisation
Conclusion
6. In the grip of friction
A sense of consistency and change
Variegating practice
Essentialisms
Friction and traction
Conclusion
Conclusion: Practice as small world
The circulation of practice and practising
Spatio-temporal configurations
Interplay between continuity and change
An approach to the dynamics of mobility
Breaking into processual practice
Glossary of selected terms
Appendix
References
Index
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