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Index
Cover Half Title Title Page Copyright Page Table of Contents List of illustrations Acknowledgements Introduction 1. The heartbeat of fandango
Tarima A festivity unfolding Organising fandangos Interweaving movements Conclusion
2. The historical circulation of son jarocho
Across the Atlantic From Sotavento to the cities Reviving a tradition Beyond Sotavento Conclusion
3. Learning at workshops
‘You hardly ever hear the galloping of a horse’ Entering the workshop Preserving a changing practice Adaptation and translation Critical stances towards workshops Conclusion: changing as it moves
4. Journeying with a practice
Orchestrating movement ‘Using whatever I had at hand’ The Emergence of Son Jarocho Groups Touring the US as a workshop facilitator Conclusion
5. Rhythm, a manner of flowing
Repetition and process (Re)configuring rhythms The rhythm and metre of fandango Structures of improvisation Conclusion
6. In the grip of friction
A sense of consistency and change Variegating practice Essentialisms Friction and traction Conclusion
Conclusion: Practice as small world
The circulation of practice and practising Spatio-temporal configurations Interplay between continuity and change An approach to the dynamics of mobility Breaking into processual practice
Glossary of selected terms Appendix References Index
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