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Index
Cover
Title
Copyright
Contents
General Editor’s Preface
Preface
Contributors
1 Three Stages of Australian Television
Radio with pictures
Enter Hector’s inspectors
Television in a new age
Notes
2 The Converging of Film and Television
The interpenetration of film and TV
Film versus TV
Conclusion
Notes
3 Transgressive TV: From In Melbourne Tonight to Perfect Match
Stretch TV
Transgressive texts
Transgressive Australian shows
The transgressive reader
Conclusion
Notes
4 Textual Innovation in the Australian Historical Mini-Series
The mini-series format
Australian historical mini-series
Characteristics of the historical mini-series
Conclusion
Notes
5 In Praise of Prisoner
Prisoner ‘s cultural context
Prisoner as text
Response to Prisoner
Notes
6 Everyday Quizzes, Everyday Life
Popular culture: the resistance of the subordinate
Commodities as cultural capital: The Wheel of Fortune and The Sale of the Century
Perfect Match: sexuality as pleasure
Conclusion
Notes
7 Television Documentary
An art-documentary: remembering the Heidelberg School
Notes
Videotapes
8 Publicising Progress: Science on Australian Television
Scientific/technological ‘progress’
Gardner and Young’s critique of televisual science
Science fictions as ideology
Notes
9 Soaps and Ads: Flow and Segmentation
Soaps and ads: normative margins
Soaps and ads: ‘Australianness’
Notes
10 Continuous Pleasures in Marginal Places: TV, Continuity and the Construction of Communities
Tellyology
Rearviewmirrorism
Marginal places
Amnesia (Lest we forget)
Anamnesia
Frottage
Windscreenwiperism
i-Deas for i-Deal people
Love you Perth
Notes
11 Children and Television
The ideology of public regulation
Ideology and practice
The ‘facts’ about children and TV
Notes
12 Changed Times, Changed Tunes: Music and the Ideology of the News
The Majestic Fanfare
Changed Times, Changed Tunes
Notes
13 Afterword: Approaching Audiences-A Note on Method
Researching the elderly audience
Notes
Index
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