Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
Cover
Half title
Title
Copyright
Contents
Acknowledgments
Notes on Contributors
Foreword: I.A.: I-Won't-Suck-The-Mainstream Art
Introduction: Explorations Underground: American Film (Ad)ventures Beneath the Hollywood Radar
Chapter 1. 'No Worse Than You Were Before': Theory, Economy and Power in Abel Ferrara's 'The Addiction'
Chapter 2. Radley Metzger'S 'Elegant Arousal': Taste, Aesthetic Distinction and Sexploitation
Chapter 3. Curtis Harrington and the Underground Roots of the Modern Horror Film
Chapter 4. 'Special Effects' in the Cutting Room
Chapter 5. Real(IST) Horror: From Execution Videos to Snuff Films
Chapter 6. A Report on Bruce Conner's 'Report'
Chapter 7. Voyeurism, Sadism and Transgression: Screen Notes and Observations on Warhol's 'Blow Job' and 'I, A Man'
Chapter 8. 'You Bled My Mother, You Bled My Father, But You Won't Bleed Me': The Underground Trio of Melvin Van Peebles
Chapter 9. Doris Wishman Meets the Avant-Garde
Chapter 10. Full Throttle on the Highway to Hell: Mavericks, Machismo and Mayhem in the American Biker Movie
Chapter 11. The Ideal Cinema of Harry Smith
Chapter 12. What is the Neo-Underground and What Isn't: A First Consideration of Harmony Korine
Chapter 13. Underground America 1999
Chapter 14. Phantom Menace: Killer Fans, Consumer Activism and Digital Filmmakers
Chapter 15. Film Co-Ops: Old Soldiers from the Sixties Still Standing in Battle Against Hollywood Commercialism
Chapter 16. 'Gouts of Blood': The Colourful Underground Universe of Herschell Gordon Lewis
Chapter 17. Theory of Xenomorphosis
Chapter 18. Visions of New York: Films from the 1960s Underground
Chapter 19. A Tasteless Art: Waters, Kaufman and the Pursuit of 'Pure' Gross-Out
Notes
Index
Series List
← Prev
Back
Next →
← Prev
Back
Next →