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Index
Other Titles Title Page Copyright Contents Chapter 1: Notes Toward the Definition of an Obsession Chapter 2: Speaking of Silence Chapter 3: Exceptions Chapter 4: Ironies Chapter 5: The System Chapter 6: Men With Movie Cameras Chapter 7: A Studio’s Way Chapter 8: “The Son of a Gun Is Nothing but a Tailor” Chapter 9: A Touch of Lubitsch Chapter 10: Two Cheers for mr. Muckle Chapter 11: Shrieks, Freaks, Geeks Chapter 12: What’s Funny About That? Chapter 13: Greatness Chapter 14: Ornaments of the Age Chapter 15: “Up This Hero Goes” Chapter 16: Getting Serious Chapter 17: Masterpieces Chapter 18: Don’t You Know There’s a War on? Chapter 19: Children of Paradise Chapter 20: Crime Waves Chapter 21: Why We Fight Chapter 22: Muse of Fire Chapter 23: Here’s Looking at You, Kid Chapter 24: The Best Years Chapter 25: Fasten Your Seat Belts Chapter 26: Don’t Unfasten Those Seat Belts Yet Chapter 27: Mixed Baggage Chapter 28: To Live Chapter 29: Bergman—at Last Chapter 30: The Criminal Life Chapter 31: Clint Chapter 32: Belle de Jour Chapter 33: The Apu Trilogy Chapter 34: Fellini Chapter 35: Strange Loves Chapter 36: Getting Started, or, I Thought You’d Never Ask Chapter 37: The Wrath of God—or Is It His Silence? Chapter 38: Marty Chapter 39: Earning It, or, Spielberg’s Way Chapter 40: Clint Again Chapter 41: Tarnished Gold Chapter 42: Kubrick Again Chapter 43: The Force Is With Us Chapter 44: Losing It Chapter 45: “No Animals Were Harmed…” Chapter 46: We’ve Got to End Somewhere Chapter 47: That Wonderful Year—1987 Acknowledgments A Note About the Author
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