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Index
Cover
Half title
Title
Copyright
Dedication
Contents
Preface and Acknowledgments
Introduction
1. Bataille, Stam, and Locations of Trash
2. Rancière: Aesthetics, Its Mésententes and Discontents
3. The Out-of-Place Scene of Trash
4. Globalization’s Dumping Ground: The Case of Trafigura
5. Agency and the Mosquito: Mitchell and Chakrabarty
6. Trashy Women: Karmen Gei, l’Oiseau Rebelle
7. Trashy Women, Fallen Men: Fanta Nacro’s “Puk Nini” and La Nuit de la vérité
8. Opening the Distribution of the Sensible: Kimberly Rivers and Trouble the Water
9. Abderrahmane Sissako’s Bamako and the Image: Trash in Its Materiality
10. The Counter-Archive for a New Postcolonial Order: O Herói and Daratt
11. Nollywood and Its Masks: Fela, Osuofia in London, and Butler’s Assujetissement
12. Trash’s Last Leaves: Nollywood, Nollywood, Nollywood
Notes
Bibliography
Filmography
Index
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