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Index
Cover
Half title
Title
Copyright
Dedication
Contents
List of Illustrations
Introduction
1: The Idea of the Fabrication
2: The 3 Standard Stoppages in the Context of the Large Glass
The Pane of Glass as a Materialized Plane Intersecting the Visual Pyramid
Depersonalizing Straight Lines
The Thread as a Metaphor of the Visual Ray
3: The 3 Standard Stoppages as Paintings
Gravity and Line: The “Rephysicalization” of the Ideal Straight
Duchamp’s Application of the New Standard Measures
Painting of Chance
Art as an Experiment
4: 1936: Duchamp Transforms the Painting Into an Experimental Setup
On the Title: Roussel’s “Method”
An Excursion Into the World of Shop Signs and Windows
5: Humorous Application of Non-Euclidean Geometry
A Brief Digression on Tu m’
6: The Crisis of the Scientific Concept of Truth
7: Pataphysics, Chance, and the Aesthetics of the Possible
8: Radical Individualism
Notes
Bibliography
Index
Series List
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