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Imperial Library
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Index
Cover
Series page
Title page
Copyright page
Dedication
Introduction
Acknowledgments
Part I: NECESSARY EVIL
Chapter 1: Beyond Good and Evil
“Life Has No Meaning, and Death’s His Only Friend”
“I’ve Seen the Future and I’ve Left It Behind”
“I Just Believe in Myself, ’Cause No One Else Is True”
Unfinished Symphonies
Chapter 2: Masters of a Better Possible Reality
Evil Is a Problem
Pictures of Evil
Imagining a Better Reality
Evil on Stage
Chapter 3: “Is It the End, My Friend?” Black Sabbath’s Apocalypse of Horror
Birmingham Apocalypse
Last Things
Satan Smiling: War and Judgment
Sabbath Bloody Sabbath: Death and Deliverance
Planet Caravan: Journeys of Time and Space
The End Is Near
Part II: PLAYING DEVIL’S ADVOCATE
Chapter 4: Black Sabbath and the Sound of Evil
Sinister Sounds
Ask Sabbath
(Fretting) Hand of Doom
“Going Through (Key) Changes . . .”
Sabbath Matters
Chapter 5: The Worst of All Possible Worlds
One Shot at Glory
But Against All Odds …
For Those Who Sow in Flames, an Explanation
The Original Diabolus in Musica
Some Final Seeds of Hate
Chapter 6: Tony Iommi’s Hand of Doom
The Phenomenology of Minds, Bodies, and Little Bits of Plastic
Tony Iommi’s Creative Freedom and the Birth of Heavy Metal
Part III: THE DARK ART OF METAL
Chapter 7: The Art of Black Sabbath
Bringing Aristotle up to Date
Aristotle Joins Black Sabbath
The Need for Dark Art
The Need to Shake up Your Mind
Sweet Leaf?
Chapter 8: Black Sabbath and the Problem of Defining Metal
Why Do We Need Categories?
Metal Conditions?
All in the Sabbath Family
Black Sabbath as a Prototype for Heavy Metal
Go Forth and Find New Prototypes
Chapter 9: Saint Vitus Dance
The Devil’s Dictionary
What About Paint Vomited onto a Canvas?
Coughing Art
Was Doom in the Air?
Standards of Doom
Sons of Sabbath
Chapter 10: Gods, Drugs, and Ghosts
In Praise of Sweet Leaf and COKE-Cola
The Birth of Tragedy and the Birth of Heavy Metal
Goat Songs and Clowns
A Satanic Interlude
If Nietzsche Had Been a Black Sabbath Fan
What Is This That Stands Before Me?
Warning: Not for Mere Mortals
Part IV: IS IT STILL SABBATH WITHOUT OZZY?
Chapter 11: It’s Not Sabbath Unless Ozzy’s the Singer (But It’s Fine If You Disagree)
Mastering Metaphysical Reality: Why Geezer Butler Isn’t a Plank of Wood
Behind the Wall of Thought Experiments
Avoiding the Fictional Seduction of Bad Metaphysics
Chapter 12: Fightin’ Words
Bands vs Line-Ups
A Sabbath By Any Other Name Would Be as Black
Going Through Changes
Criteria, Bloody Criteria
How Essential Is the Ozzman?
Which “Sabbath” Is Really Sabbath?
Chapter 13: The Name Remains the Same—But Should It?
On This Album, the Role of the Singer Will Be Played By …
I Saw It, I Saw It, I Tell You No Lies
Treating People Just Like Pawns in Chess
No Stranger to Record Companies
Sick and Tired … of Changes
Part V: SYMPTOMS OF THE UNIVERSE
Chapter 14: Wicked World
“People Got to Work Just to Earn Their Bread”
“Day of Judgment, God Is Calling”
“Black Sabbath”
“The Wizard”
“N.I.B.”
“Wicked World”
“War Pigs”
Final Judgment
Chapter 15: “Demons, Dreamers, and Madmen”
Ozzy’s Insanity and Descartes’ Demon
How Not to Fall “Into the Void” of Skepticism
What Can Ozzy Know?
Is This Cause to Be Paranoid?
Chapter 16: “As the War Machine Keeps Turning”
War Is Hell
Why Should They Go Out to Fight?
Necessary Evil or Overkill?
Until the Day the War Drums Beat No More
When War Is Obsolete
“Win the Fight for Peace”
Chapter 17: Stop Stereotyping Sabbath
Let’s Not Be Hasty Here . . .
Practically Clubbing Women
Cavemen Get a Bad Rap and a Bad Rep
She Was My Woman . . . I Loved Her So . . .
Crunchy Pleasure
Contributors
Index
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