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Index
Cover-Page Half-Title Series Title Copyright Contents Notes on Contributors Acknowledgement Introduction: Positing, the Performative and the Supplement
The performativity of the performative Autoperformative and self-positing The text of the archi-promise The fore-structure of language The aporia of positing Note on the contributions Notes
Part 1
1 Promising Hospitality: l’Étranger Gives the Law in D’Alembert’s ‘Genève’
‘Genève’ Strangers in ‘Genève’ Concerting and disconcerting promises Notes
2 Performative Perfume
Im-possible responsivity Ethical overload The limits of the performative Performativity on the down-low Notes
3 The Performative and the Normative
The standard narrative of the performative Heidegger’s responsibility The performative in the general and the strict sense The performativity of the event Normative performativity and normative theory The separation and co-implication of the performative and the normative Notes
Part 2
4 Performativity as Ek-Scription: Adonis After Derrida
A successful performative is impure Ex-scription Writing in an idiom of the dead Lacanian inmixing September 11 – A grave for New York Notes
5 Living On: The Absolute Performative
The double yes: From the linguistic to the absolute performative Living on: The absolute performative Traces of life in the text Living ouverture Notes
6 Archive-Abilities
(Archivable) Abstract Archive and event Archive and impression Singularity and event Metonymies of the archive The archive and the anthological
Part 3
7 The Performativity of Art
The iterability of art as a problem for performativity The signature, countersignature and art as performative fiction Who or what signs? The blindness of signatures The principle of ruin and the touch of the countersignature Notes
8 Passive Performative
Questions Again the performative: That perhaps it does not exist Inhabited structures and etiolated performatives The moral performative Notes
Part 4
9 Departures: The American Future of Psychoanalysis
Theatre of cruelty New York stories The future of an illusion Notes
10 Laruelle Contra Derrida: Performative Realism and the Logics of Consistency
Introduction Performative realism: Introducing Laruelle’s non-philosophy More Derridean than Derrida? Deconstructing (in)consistency Notes
Epilogue: No Sooner Said Than Done Bibliography Index
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