How to Read a Film by Monaco, James -- Read -- Imperial Library of Trantor

Index

Cover Page Title Page Copyright Page Acknowledgments Dedication Introduction Contents Preface to the Second Edition Acknowledgments 1 Film as An Art

The Nature of Art Ways of Looking at Art

The Spectrum of Abstraction The Modes of Discourse The “Rapports de Production”

Film, Recording, and the Other Arts

Film, Photography, and Painting Film and the Novel Film and Theater Film and Music Film and the Environmental Arts

The Structure of Art

2 Technology: Image and Sound

Art and Technology

Image Technology Sound Technology

The Lens The Camera The Filmstock

Negatives, Prints, and Generations Aspect Ratio Grain, Gauge, and Speed Color, Contrast, and Tone

The Soundtrack Post-Production

Editing Mixing and Looping Special Effects Opticals, the Lab, and the Post House

Video and Film Projection Digital Tipping Points

3 The Language of Film: Signs and Syntax

Signs

The Physiology of Perception Denotative and Connotative Meaning

Syntax

Codes Mise-en-Scène

The Framed Image The Diachronic Shot

Sound Montage

4 The Shape of Film History

Movies/Film/Cinema “Movies”: Economics “Film”: Politics “Cinema”: Esthetics

Creating an Art: Lumière versus Méliès The Silent Feature: Realism versus Expressionism Hollywood: Genre versus Auteur Neorealism and After: Hollywood versus the World The New Wave and the Third World: Entertainment versus Communication The Postmodern Sequel: Democracy, Technology, End of Cinema Beyond Cinema: Metafiction, Metareality

5 Film Theory: Form and Function

The Critic The Poet and the Philosopher: Lindsay and Münsterberg Expressionism and Realism: Arnheim and Kracauer Montage: Pudovkin, Eisenstein, Balázs, and Formalism Mise-en-Scène: Neorealism, Bazin, and Godard Film Speaks and Acts: Metz and Contemporary Theory

6 Media: In The Middle of Things

Community Print and Electronic Media The Technology of Mechanical and Electronic Media Radio and Records Television and Video

“Broadcasting”: The Business “Television”: The Art “TV”: The Virtual Family

7 Multimedia: The Digital Revolution

From Analog to Digital The Myth of Multimedia The Myth of Virtual Reality The Myth of Cyberspace The Mediasphere

Film and Media: A Chronology

To 1895: Prehistory 1896–1915: The Birth of Film 1916–1930: Silent Film, Radio, and Sound Film 1931–1945: The Great Age of Hollywood and Radio 1946–1960: The Growth of Television 1961–1980: The Media World 1981–1999: The Digital Transition 2000–Present: The New Century

Reading About Film and Media: A Select Library

1. Film as an Art 2. The Technology of Film and Media 3. The Language of Film 4. Film History 5. Film Theory and Practical Criticism 6. Media 7. New Media 8. Film Reference: A Brief History 9. Antidotes

Index

Topics People Titles

Footnotes

ch01fn1 ch01fn2 ch01fn3 ch01fn4 ch01fn5 ch01fn6 ch02fn1 ch02fn2 ch02fn3 ch02fn4 ch02fn5 ch02fn6 ch02fn7 ch02fn8 ch02fn9 ch03fn01 ch03fn02 ch03fn03 ch03fn04 ch03fn05 ch04fn01 ch04fn02 ch04fn03 ch04fn05 ch04fn06 ch04fn07 ch04fn08 ch04fn09 ch04fn10 ch04fn11 ch04fn12 ch04fn13 ch04fn14 ch04fn15 ch04fn16 ch04fn17 ch04fn18 ch04fn19 ch05fn01 ch05fn02 ch05fn03 ch06fn01 ch06fn02 ch06fn03 ch06fn04 ch06fn05 ch06fn06 ch06fn07 ch06fn08 ch06fn09 ch06fn10 ch06fn11 ch06fn12 ch06fn13 ch06fn14 ch06fn15 ch07fn1 ch07fn1b ch07fn1c ch07fn2 ch07fn03 ch07fn03b ch07fn4 ch07fn5 ch07fn06 ch07fn7 ch07fn08 ch07fn09 ch07fn10 ch07fn11 ch07fn12 ch07fn13 ch07fn14 ch07fn15 ch07fn16

← Prev
Back
Next →

← Prev
Back
Next →