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Index
Cover Page Title Page Copyright Page Contents Preface Acknowledgments Introduction I. HISTORICAL BACKGROUND
Plato
Republic II, III, X Ion (complete) Symposium
Aristotle
Poetics Nicomachean Ethics
David Hume
Of the Standard of Taste (complete)
Immanuel Kant
Critique of Judgment
G. W. F Hegel
Philosophy of Fine Art (Introduction)
Friedrich Nietzsche
The Birth of Tragedy Attempt at a Self-Criticism (complete)
Leo Tolstoy
What Is Art?
II. RECENT SYSTEMATIC THEORIES
Clive Bell
Art
R. G. Collingwood
Principles of Art
John Dewey
Art as Experience
Sitsanne Langer
Feeling and Form
Nelson Goodman
When Is Art? (complete) Languages of Art
Martin Heidegger
The Origin of the Work of Art
Maurice Merleau-Ponty
Eye and Mind
Stephen David Ross
A Theory of Art: Inexhaustibility by Contrast
III. INTERPRETATION AND CRITICISM
Stephen Pepper
The Work of Art
E. D. Hirschjr.
Validity in Interpretation
Hans-Georg Gadamer
Truth and Method
Paul Ricoeur
The Problem of Double Meaning as Hermeneutic Problem and as Semantic Problem (complete)
Jacques Derrida
The Truth in Painting (Passe-Partout, Parergon, Restitutions) Letter to Peter Eisenman (complete)
Michel Foucaull
The Order of Things (Preface, Las Meninas)
IV. DISCUSSIONS
Edward Bullough ‘Psychical Distance’ as a Factor in Art and as an Aesthetic Principle Arthur Danto The Artworld (complete) Mikhail Mikhailovich Bakhtin Discourse in the Novel
PSYCHOLOGY AND ART: FREUD, JUNG, VYGOTSKY
Sigmund Freud The Relation of the Poet toDay-Dreaming (complete) Carl Gustavjung Psychology and Literature (complete) Lev Vygotsky The Psychology of Art
MARXISM AND THE FRANKFURT SCHOOL
Walter Benjamin The Work of Art in the Age of its Technical Reproducibility Theodor W. Adorno On the Fetish-Character in Music and the Regression of Listening Herbert Marcuse The Aesthetic Dimension
POSTMODERNISM
Jean-Francois Lyotard What Is Postmodernism?
FEMINIST THEORY
Heide Göttner-Abendroth Nine Principles of a Matriarchal Aesthetic (complete) Luce Irigaray Any Theory of the “Subject” Has Always Been Appropriated by the “Masculine” (complete) Craig Owens The Discourse of Others: Feminists and Postmodernism
MULTICULTURAL THEORY
V. Y. Mudimbe The Invention of Africa Trinh T. Minh-ha Woman, Native, Other James Clifford On Collecting Art and Culture Tony Fry and Anne-Marie Willis Aboriginal Art: Symptom or Success?
ARTIST’S DECLARATIONS
Futurist Painting: Technical Manifesto (complete) Umberto Boccioni Technical Manifesto of Futurist Sculpture (complete) Kasimir Malevich Suprematism (complete) Wassily Kandinsky Concrete Art (complete) Piel Mondrian Plastic Art and Pure Plastic Art (complete) Sol LeWitt Sentences on Conceptual Art (complete)
Footnote
Page 9 Page 45 Page 56 Page 66 Page 75 Page 78 Page 95 Page 144 Page 162 Page 168 Page 178 Page 186 Page 192 Page 204 Page 222 Page 238 Page 247 Page 254 Page 282 Page 300 Page 326 Page 332 Page 350 Page 384 Page 401 Page 429 Page 440 Page 458 Page 470 Page 484 Page 500 Page 507 Page 521 Page 526 Page 539 Page 548 Page 561 Page 566 Page 578 Page 591 Page 600 Page 607 Page 621 Page 643 Page 656 Page 661 Page 667 Page 673 Page 677 Page 691
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