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Index
Front Cover Copyright About the Author Connect and Keep Up-to-Date Table of Contents Introduction Understanding Synthesis Analog Synthesis Frequency Modulation Synthesis Sample-Based Synthesis The Featured Synthesizers Twin 2 Massive Format of this Book Navigating this Book Chapter 1: Getting Started with Synthesis Synthesizer Sound Architecture Architecture of the Featured Synthesizers Twin Architecture Massive Architecture Examining the Elements Chapter 2: Sound Sources Basic Wave Shapes Sawtooth Wave Square and Pulse Waves Sine Wave Triangle Wave Noise Complex Wave Shapes and Variations Combining Sounds Doubling Oscillators Oscillator Phase Oscillator Detuning Multi-Oscillators Layering Oscillators Layering Sounds Hard Syncing Oscillators Combining Waves in Practice: Creating New Tones Raw Waves Doubled/Layered Wave, Same Octave Layered Waves, Different Pitches Combining Waves: In Summary Starting to Shape Chapter 3: Filters Filter Parameters Cut-Off Frequency Resonance Filters on the Featured Synthesizers Filters in Twin Filters in Massive Signal Flow through the Filters Filter Types Low-Pass High-Pass Band-Pass Notch Comb Filters Filter Slopes Using Filters in Practice Controlling Filter Cut-Off Filter as a Volume Control Key Tracking and Filters Controlling Resonance Adding Some Animation Chapter 4: Making the Sound Dance Modulation: The Concept Modulation in the Real World Effect of Velocity on a Sound Effect of Pitch on a Sound Effect of Time on a Sound Combining the Effect of Velocity, Pitch, and Time Modulation Destinations Volume Filter Pitch Vibrato Speed Pulse-Width Pan FX Wavetable Position Envelope Speed Modulation Sources Velocity Pitch Bender Modulation Wheel Key Tracking X-Y Controllers Aftertouch Expression Pedal MIDI Control Change Setting Up Modulations Controlling the Parameters with Hardware and Automation MIDI Learn Automation More Modulation Sources Chapter 5: Envelopes Volume Envelopes What Else Can Envelopes Do? AD Envelopes ADSR Envelopes Twin Envelopes Massive Envelopes Key Tracking and Envelopes More Specialized Modulation Sources Chapter 6: LFOs and Specialized Modulation Sources Main LFO Controls Wave Shape Frequency Depth Sync Phase Monophonic/Polyphonic LFOs Monophonic LFOs Polyphonic LFOs Wacky Waveforms Twin LFO Balance Twin Hand-Drawn LFOs Morphing LFOs in Massive Specialized Modulation Sources Stepper Performer Now Polish!! Chapter 7: FX Deployment of FX Insert FX Master FX Send FX Distortion Old School Overdrive Analog-Emulating Distortion Digital Distortion Compression EQ Filter Modulated Delay Effects Phaser/Flanger Chorus Modulation Effects with Twin A General Word of Caution about all Modulation Effects Delay Mono Delay Stereo Delay Cross Delay Common Delay Controls Using Delay Lines Reverb Using FX in Your Own Sounds Chapter 8: Sculpting Sounds with Synthesizers Main Food Groups Brightness Attack Getting the Combination Right To Get Brightness To Get Richness To Get Attack To Get Warmth To Get Punch Building Patches Designed For Purpose Context of a Mix Choose the Right Tools Emulating Real Instruments Playability Building Basses Simple Bass Sounds Fat Bass Sounds Bass Envelopes Sub-Oscillators Bass Split Octaves Bass FX Building Brass Sounds Building Bell-Like Tones Building Key-Based Sounds Piano Clavinet/Harpsichord Organ Building Lead Sounds Building Pads Simple Pads Adding Some Control String Sounds Rhythmic Pads Building Plucks and Stabs Building Synthetic Drum Sounds Kick Drum Closed Hats Alternative Noise Sources Open Hats Snare Drum Claps Cowbell Syn Drum Toms Drum FX Building Your Own Sounds Further Resources How to Make a Noise Series of Books How to Make a Noise: Frequency Modulation Synthesis How to Make a Noise: Sample-Based Synthesis How to Make a Noise: iPad Synthesizers Edition How to Make a Noise: A Comprehensive Guide to Synthesizer Programming Jumpstart Your Music Career Cakewalk Synthesizers: From Presets to Power User, second edition Becoming a Synthesizer Wizard: From Presets to Power User Synthesizer Boot Camp
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