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Index
Cover
Title
Copyright
Table of contents
Introduction
Plato’s Literary Style
Beyond Language and Literature
The Three Waves of Dialectic in the Republic
Plato’s Unfinished Trilogy: Timaeus–Critias–Hermocrates
The Myth of the Winged Chariot in the Phaedrus: A Vehicle for Philosophical Thinking
Perspectivism, Proleptic Writing and Generic agón: Three Readings of the Symposium
Plato’s Argumentative Strategies in Theaetetus and Sophist
“Reading Plato’s Sophist”
Other Genres and Traditions
Detailed Completeness and Pleasure of the Narrative. Some Remarks on the Narrative Tradition and Plato
The meeting scenes in the incipit of Plato’s dialogue
The Philosophical Writing and the Drama of Knowledge in Plato
Comic Dramaturgy in Plato: Observations from the Ion
Amicus Homerus: Allusive Art in Plato’s Incipit to Book X of the Republic (595a – c)
Performance and Elenchos in Plato’s Ion
Plato and the Catalogue Form in Ion
Orphic Aristophanes at Plato’s Symposium
Socrates as a physician of the soul
The Style of Medical Writing in the Speech of Eryximachus: Imitation and Contamination
Gorgias, the eighth orator. Gorgianic echoes in Agathon’s Speech in the Symposium
Plato’s Phaedrus: A Play Inside the Play
Plato’s Characters
He longs for him, he hates him and he wants him for himself: The Alcibiades Case between Socrates and Plato
Five Platonic Characters
Who Is Plato’s Callicles and What Does He Teach?
Doing business with Protagoras (Prot. 313e): Plato and the Construction of a Character
Theaetetus and Protarchus: two philosophical characters or what a philosophical soul should do
The Role of Diotima in the Symposium: The Dialogue and Its Double
Contributors
Citations Index
Author Index
Subject Index
Endnotes
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