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Index
Cover
Title page
Dedication
Table of Contents
General editor’s preface
Preface
Introduction
Ay, that’s the theme: topics in Twelfth Night
Endings and beginnings
Or what you will: the pleasures and trials of spectatorship
We three: the interpretation compulsion
Around Twelfth Night
A very opal: the play of perspective
’Tis my picture: deciphering visual images
Changeable taffeta: materials and materiality
In what chapter of his bosom?: reading the body
Sicken and so die: disease, contagion and death
As an eunuch: castration, civility and intertextuality
This is Illyria, lady: space and place
The whirligig of time: levels of temporality
Words are very rascals: language and discourse
Make a good show on’t: Twelfth Night in performance
If this were played upon a stage: performances virtual and actual
First Night
Later Nights: adaptations and rearrangements
Our shows are more than will: Victorian special effects and modernist experiments
Seasonal Nights
Illyrian variations
The mettle of your sex: gender and homoeroticism
Show you the picture: Twelfth Night on film
Are you a comedian?: players and parts
Art any more than a steward?: Malvolio
Your drunken cousin: Sir Toby
An ass-head and a coxcomb and a knave: Sir Andrew
An allowed fool: Feste
A noble duke: Orsino
Here comes the Countess: Olivia
I am not that I play: Viola
TWELFTH NIGHT, OR WHAT YOU WILL
Scene 1.1
Scene 1.2
Scene 1.3
Scene 1.4
Scene 1.5
Scene 2.1
Scene 2.2
Scene 2.3
Scene 2.4
Scene 2.5
Scene 3.1
Scene 3.2
Scene 3.3
Scene 3.4
Scene 4.1
Scene 4.2
Scene 4.3
Scene 5.1
Appendix 1: The text and editorial procedures
Appendix 2: Casting
Appendix 3: Music
Abbreviations and references
Abbreviations used in notes
Works by and partly by Shakespeare
Editions of Shakespeare collated
Other works cited
eCopyright
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