Counterpoint and How to Use It in Your Music by Collins, John -- Read -- Imperial Library of Trantor

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Index

Dedication Preface The Use of an Instrument with This Book Section I: The Preliminaries

Part One: Texture Part Two: Intervals Part Three: Consonance & Dissonance

Section II: The Preparation

Part One: The Four Types of Motion Part Two: The Principles of Motion

Section III: The Practice: Two-Part Writing

Part One: 1:1 Counterpoint in Two Parts Part Two: 2:1 Counterpoint in Two Parts Part Three: 4:1 Counterpoint in Two Parts Part Four: Syncopated Counterpoint in Two Parts Part Five: Florid Counterpoint in Two Parts

Section IV: The Practice: Three-Part Writing

Part One: 1:1 Counterpoint in Three Parts Part Two: 2:1 Counterpoint in Three Parts Part Three: 4:1 Counterpoint in Three Parts Part Four: Syncopated Counterpoint in Three Parts Part Five: Florid Counterpoint in Three Parts

Section V: The Practice: Four-Part Writing

Part One: 1:1 Counterpoint in Four Parts Part Two: 2:1 Counterpoint in Four Parts Part Three: 4:1 Counterpoint in Four Parts Part Four: Syncopated Counterpoint in Four Parts Part Five: Florid Counterpoint in Four Parts

Section VI: Using Counterpoint in Your Music

Part One: Counterpoint & Harmony Part Two: Using Counterpoint in Song Part Three: Counterpoint in Song

Questions Notes About the Author

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