Log In
Or create an account ->
Imperial Library
Home
About
News
Upload
Forum
Help
Login/SignUp
Index
Cover Page
Title Page
Copyright Page
Contents
Acknowledgments
Introduction
Part I: Mad Worlds
One: Maddening Times
Mad Men in its History
Two: Mad Space
Three: Representing the Mad Margins of the Early 1960s
Northern Civil Rights and the Blues Idiom
Four: After the Sex, what?
A Feminist Reading of Reproductive History in Mad Men
Five: The Writer as Producer; or, the Hip Figure after HBO
Part II: Mad Aesthetics
Six: The Shock of the Banal
Mad Men's Progressive Realism
Seven: Mod Men
Eight: Swing Skirts and Swinging Singles
Mad Men, Fashion, and Cultural Memory
Nine: Against Depth
Looking at Surface through the Kodak Carousel
Ten: “It will Shock you how Much this Never Happened”
Antonioni and Mad Men
Part III: Made Men
Eleven: Media Madness
Multiple Identity (Dis)Orders in Mad Men
Twelve: “Maidenform”
Masculinity as Masquerade
Thirteen: History Gets in your Eyes
Mad Men, Misrecognition, and the Masculine Mystique
Fourteen: The Homosexual and the Single Girl
Fifteen: Mad Men's Postracial Figuration of a Racial Past
Sixteen: The Mad Men in the Attic
Seriality and Identity in the Modern Babylon
Afterword: A Change is Gonna Come, Same as it Ever was
Appendix A: A Conversation with Phil Abraham, Director and Cinematographer
Appendix B: List of Mad Men Episodes
Works Cited
Contributors
Index
← Prev
Back
Next →
← Prev
Back
Next →