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Index
Cover Title Page Copyright Contents What is Aesthetics? The Nature of Experience Socrates and Plato The Power of Poetry Painting as Imitation The Simulacrum Deception is Truth, Truth Deception Aristotle’s Poetics Art and the Audience Art and Reality Catharsis Medieval Aesthetics The Theological Time-bomb The Beauty of Order Thomas Aquinas Beauty and Cognition Art as Religious Instruction Art and Melancholy The School of Night Renaissance Aesthetics Painting as Philosophy The Rise of the Bourgeoisie The Lives of the Artists The Classical Episteme The Subject The Sovereign Eye Et in Arcadia Ego The Imperialist Subject Capitalism and the Other The Enlightenment Kant’s Critical Philosophy The Critique of Judgement The Sublime Universal Reason The Unknowable Hegel and the Universal Consciousness Symbolic, Classical, Romantic The Origins of Modern Aesthetics: Nietzsche, Freud and Marx Nietzsche and the Revaluation of All Values Apollonian and Dionysian Energy The Intoxication of Change Freud and Psychoanalysis Sublimation Marx and the Alienation of Capitalism Art and the Bourgeoisie Aestheticism Modernist Aesthetics Synaesthesia Romanticism Marxist Aesthetics in the 1920s and 30s Lukács and Critical Realism Brechtian Realism Communist Aesthetics Socialist Realism Aesthetics in the Modern Era The Aura The Radical Power of Early Photographs The Fragments of History Theodor Adorno Art After the Holocaust? The Hollowed Subject Nietzschean Aesthetics The Happening of Truth Georges Bataille The Philosophy of Expenditure The Pursuit of the Extreme Psychoanalysis and Aesthetics after the Second World War Language and the Autonomous “I” The Gaze The Fantasy of Control Jouissance Marxist Theories of the Image in the 1960s and 70s Debord and the Society of the Spectacle Lack The Situationist International Détournement Ways of Seeing Modernist Aesthetics: 1940-70 Winckelmann and Lessing Minimalist Art Aesthetics, Contemporary Experience and Postmodernism Fredric Jameson The Rise of the Multinationals Modernist vs Postmodernist Parody or Pastiche? Schizophrenic Culture Antonio Negri and T.J. Clark Postmodernism and Continental Aesthetics The Medium is the Message The Aesthetics of Simulation The Ironies of Postmodern Capitalism Roland Barthes Messages Without a Code The Punctum Julia Kristeva The Chora and the Semiotic Kristeva and Jouissance Feminist Aesthetics and Postmodernism Jacques Derrida Deconstruction Undecidable Art Jean-François Lyotard Newman and Duchamp Gilles Deleuze The Body without Organs Conclusion Further Reading Author’s Acknowledgements Index
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