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Index
Cover page
Title page
Copyright page
Contents
Notes on the contributors
Chronology
Note to the reader
Acknowledgments
Introduction: the elusive Schubert Christopher H. Gibbs
Part I: Contexts: musical, political, and cultural
1 Realism transformed: Franz Schubert and Vienna Leon Botstein
2 “Poor Schubert”: images and legends of the composer Christopher H. Gibbs
3 “The Passion for friendship”: music, cultivation, and identity in Schubert’s circle David Gramit
4 Schubert’s inflections of Classical form Charles Rosen
5 Schubert and his poets: issues and conundrums Susan Youens
Part II: Schubert’s music: style and genre
6 Schubert’s songs: the transformation of a genre Kristina Muxfeldt
7 Schubert’s social music: the “forgotten genres” Margaret Notley
8 Schubert’s piano music: probing the human condition William Kinderman
9 Schubert’s chamber music: before and after Beethoven Martin Chusid
10 Schubert’s orchestral music: “strivings after the highest in art” L. Michael Griffel
11 Schubert’s religious and choral music: toward a statement of faith Glenn Stanley
12 Schubert’s operas: “the judgment of history?” Thomas A. Denny
Part III: Reception
13 German reception: Schubert’s “journey to immortality” Christopher H. Gibbs
14 Schubert’s reception history in nineteenth-century England John Reed
15 Schubert’s reception in France: a chronology (1828–1928) Xavier Hascher
16 Franz Schubert’s music in performance: a brief history of people, events, and issues David Montgomery
Notes
Index
Cambridge Companions to Music
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