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Transcriber's Note GREAT PIANISTS ON PIANO PLAYING
STUDY TALKS WITH FOREMOST VIRTUOSOS
BY
JAMES FRANCIS COOKE
A SERIES OF PERSONAL EDUCATIONAL CONFERENCES WITH RENOWNED MASTERS OF THE KEYBOARD, PRESENTING THE MOST MODERN IDEAS UPON THE SUBJECTS OF TECHNIC, INTERPRETATION, STYLE AND EXPRESSION
CONTENTS I
THE ARTIST'S LIFE The Virtuoso's Career as It Really Is Golden Bait Freak Pianists A Pathetic Example The Pianist of To-day The Magic of Magnetism A Notable Example The Greatest Thing of All
II
ARE PIANISTS BORN OR MADE? The American Virtuoso of To-day
PEPITO ARRIOLA
Biographical
III
THE STORY OF A WONDER CHILD pepito arriola My Earliest Recollections My Friendship With Arthur Nikisch My First Regular Instruction Early Repertory My Daily Practice General Education Theoretical Studies Reading and Study At the Concert Questions in Style, Interpretation, Expression and Technic of Pianoforte Playing SERIES I pepito arriola
WILHELM BACHAUS
Biographical
IV
THE PIANIST OF TO-MORROW wilhelm bachaus To-day, Yesterday and To-morrow The Wonderful Efficacy of Scales Bach Musically Omnipotent The Old That Is Ever New Difficulties in New Pianoforte Compositions Mere Difficulty No Longer Astounds Modern Compositions The Most Difficult Compositions Praise That Irritates Why Not Seek the Beautiful? Exercises That Give Immediate Help Avoid Too Complicated Exercises Questions in Style, Interpretation, Expression and Technic of Pianoforte Playing SERIES II wilhelm bachaus
HAROLD BAUER
Biographical
V
ARTISTIC ASPECTS OF PIANO STUDY harold bauer The Immediate Relation of Technic To Music The Aim of Technic Seeking Individual Expression The Resistance of the Medium The Perversion of Studies The Unit of Musical Expression Music First, the Instrument Afterwards Variety the Spice of Art Muscular and Nervous Energy Phrasing and Breathing The Natural Effect of Emotions Questions in Style, Interpretation, Expression and Technic of Pianoforte Playing SERIES III harold bauer
FANNY BLOOMFIELD-ZEISLER
Biographical
VI
APPEARING IN PUBLIC fanny bloomfield-zeisler Thorough Preparation Necessary Leschetizky and 'Method' Well-selected Programs Personality Do Not Attempt the Impossible Foreign Débuts Practical Suggestions Questions in Style, Interpretation, Expression and Technic of Pianoforte Playing SERIES IV fanny bloomfield-zeisler
FERRUCCIO BENVENUTO BUSONI
Biographical
VII
IMPORTANT DETAILS IN PIANO STUDY ferruccio benvenuto busoni The Significance of the Detail Learning To Listen Self Development Finding Individual Faults Details of Phrasing and Accentuation Bach, Bach, Bach Questions on Style, Interpretation, Expression and Technic of Piano Playing SERIES V ferruccio benvenuto busoni
TERESA CARREÑO
Biographical
VIII
DISTINCTIVE PIANO PLAYING teresa carreño Early Evidences of Individuality New Problems at Every Step The Teacher's Responsibility Edward MacDowell's Individuality Developing Individuality Through Poetry Cultivating Vivacity and Brilliancy The Importance of Studying Musical History Questions on Style, Interpretation, Expression and Technic of Piano Playing SERIES VI teresa carreño
OSSIP GABRILOWITSCH
Biographical
IX
ESSENTIALS OF TOUCH ossip gabrilowitsch A Rigid Arm Undesirable Touch a Distinguishing Characteristic Combining Different Touches Mechanical Methods Dangerous Students Should Hear Virtuosos Methods, and Still More Methods Don't Neglect Ear Training Artistic Interpretation Paramount Questions in Style, Interpretation, Expression and Technic of Pianoforte Playing SERIES VII ossip gabrilowitsch
LEOPOLD GODOWSKY
Biographical
X
THE REAL SIGNIFICANCE OF TECHNIC leopold godowsky Ideas Upon Technic Often Erroneous The Brain Side of Piano Study The Emotions in Piano Playing Inspiring the Student Changes in the Mechanism of the Instrument The Significance of Weight Playing Moulding the Fingers To the Keys Individuality, Character and Temperament Genius and Work Questions in Style, Interpretation, Expression and Technic of Pianoforte Playing SERIES VIII leopold godowsky
KATHARINE GOODSON
Biographical
XI
ANALYZING MASTERPIECES katharine goodson The Natural Tendency To Analyze The First Step in Analyzing a New Piece The Poetic Idea of the Piece Studying the Rhythm The Analysis of Phrases Studying the Harmony A Careful Analysis of Touch Effects The Responsibilities of the Teacher Questions in Style, Interpretation, Expression and Technic of Pianoforte Playing SERIES IX katharine goodson
JOSEF HOFMANN
Biographical
XII
PROGRESS IN PIANO STUDY josef hofmann What Determines Changes in Playing The New Technic and the Old Technic Since Liszt Definite Methods are Little More than Stencils The Study of Details Imperative Well-meaning Advisers Questions in Style, Interpretation, Expression and Technic of Pianoforte Playing SERIES X josef hofmann
JOSEF LHÉVINNE
Biographical
XIII
PIANO STUDY IN RUSSIA josef lhévinne Russia's Many Keyboard Masters With the Musical Child in Russia The Kind of Music the Russian Child Hears Instruction Books Opportunities for Virtuoso-Students in Russia Why Russian Pianists Are Famed for Technic Modern Russian Influence in Musical Art Questions in Style, Interpretation, Expression and Technic of Pianoforte Playing SERIES XI josef lhévinne
VLADIMIR DE PACHMANN
Biographical
XIV
SEEKING ORIGINALITY vladimir de pachmann The Meaning of Originality Machine Teaching Originality the Road To Permanent Fame The Most Original Composers Self-help the Secret of Many Successes A Surprised Teacher Deep Thought Necessary Take Time To Do Things Well Mastering Artistic Details Something No One Can Teach The Best Teacher The Basis of Greatness Questions in Style, Interpretation, Expression and Technic of Pianoforte Playing SERIES XII vladimir de pachmann
MAX PAUER
Biographical
XV
MODERN PIANISTIC PROBLEMS max pauer Acquiring the Requisite Technic Innovators Should Be Pianists Avoid Machine-like Playing Broad Understanding Necessary Freedom From Convention Questions in Style, Interpretation, Expression and Technic of Pianoforte Playing SERIES XIII max pauer
S. V. RACHMANINOFF
Biographical
XVI
ESSENTIALS OF ARTISTIC PLAYING s. v. rachmaninoff Forming the Proper Conception of a Piece Technical Proficiency Proper Phrasing Regulating the Tempo Character in Playing The Significance of the Pedal The Danger of Convention Real Musical Understanding Playing To Educate the Public The Vital Spark Questions in Style, Interpretation, Expression and Technic of Pianoforte Playing SERIES XIV s. v. rachmaninoff
ALFRED REISENAUER
Biographical
XVII
SYSTEMATIC MUSICAL TRAINING alfred reisenauer Köhler's Technical Scheme With Liszt Liszt's Pedagogical Methods A Unique Attitude The Future of Pianoforte Music American Musical Taste Concert Conditions in America Questions in Style, Interpretation, Expression and Technic of Pianoforte Playing SERIES XV alfred reisenauer
EMIL SAUER
Biographical
XVIII
THE TRAINING OF THE VIRTUOSO emil sauer Slow Systematic Practice The Necessity for a Good General Education Clean Playing vs. Slovenly Playing Health a Vital Factor Judicious Use of Technical Exercises Study Abroad Versatility Cultivating Finger Strength Velocity Talent Be Natural Talent Counts Questions in Style, Interpretation, Expression and Technic of Pianoforte Playing SERIES XVI emil sauer
XAVER SCHARWENKA
Biographical
XIX
ECONOMY IN MUSIC STUDY xaver scharwenka Time Lost in Early Study Ear-Training Waste in Technical Study Waste in Unimportant Subjects Brain Technic Versus Finger Technic A Case in Point Questions in Style, Interpretation, Expression and Technic of Pianoforte Playing SERIES XVII xaver scharwenka
ERNEST SCHELLING
Biographical
XX
LEARNING A NEW PIECE ernest schelling Preliminary Study The Technical Demands of the Piece Formal Divisions The Touch Required The Right Tempo Rhythmic Peculiarities The Composer's Inspiration Studying the Phrasing Marking the Fingering Memorizing Questions in Style, Interpretation, Expression and Technic of Pianoforte Playing SERIES XVIII ernest schelling
SIGISMUND STOJOWSKI
BIOGRAPHICAL
XXI
WHAT INTERPRETATION REALLY IS sigismund stojowski The Composer's Limitations in His Means of Expression The Interpreter Must Coöperate with the Composer Studying the Historical Background The Inadequacy of Musical Signs Learning the Musical Language Mistakes Peculiar to the Pianoforte Player Questions in Style, Interpretation, Expression and Technic of Pianoforte Playing SERIES XIX Sigismund Stojowski Transcriber's Notes
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