Being & Doing by Morris, Eric -- Read -- Imperial Library of Trantor

Index

Cover Halftitle Dedication Title Copyright TABLE OF CONTENTS PREFACE THE INSTRUMENT

THE INSTRUMENT THE BEING STATE BEING YOU ELIMINATING THE OBSTACLES TO BEING WHAT IS TALENT? ON TRUTH SOCIAL-ROLE MOLDS ANTIPRIVACY INDIVIDUALITY RESPONSIBILITY AND RELAXATION PERSONAL INVENTORY MORE ON PERSONAL INVENTORY FREEDOM FROM SOCIAL OBLIGATIONS DEALING WITH THE DEMON DEVELOPING AN EMOTIONAL POINT OF VIEW PREPARATION MORE ON PREPARATION THE IMPRESSIVE AND THE EXPRESSIVE FINDING AND ELIMINATING THE PROBLEMS INSTRUMENTAL PREPARATION DEVELOPING YOUR IMAGINATION GETTING TO YOUR VULNERABILITY FEAR MORE ON FEAR THERAPY EXERCISES SOME BASIC THERAPY EXERCISES LARGE-COMMITMENT EXERCISES MORE DEALING WITH THE DEMON SCARY FEEDBACK INVOLVEMENT EXERCISES SELFLESS INVOLVEMENT BUILDING A HEALTHY EGO EGO PREPARATIONS (PEP TALK) "MORE EGO PREPARATIONS INNER MONOLOGUE TRUST COMMON ACTING PROBLEMS AND THEIR SYMPTOMS MORE COMMON ACTING PROBLEMS ANTIDOTES FOR COMMON ACTING PROBLEMS MANNERISMS AND BEHAVIORAL DEPENDENCIES OBSTACLES TO YOUR EMOTIONAL FREEDOM DAILY WORK SCHEDULE DAILY WORK SCHEDULE CONTINUED A BALANCED WORK PROGRAM (SENSE MEMORY) A BALANCED WORK PROGRAM (ELIMINATING OBSTACLES)

THE CRAFT

THE CRAFT WHAT IS SENSE MEMORY? SENSE MEMORY VARIATIONS ON SENSE MEMORY SENSORY INVENTORY SELF-INVENTORY ON-THE-SPOT EXERCISES DAILY WORK: VULNERABILITY EXERCISES OBSERVING PEOPLE THE MARATHON EXPERIENCE HOW WORK IN PROGRESS USING REHEARSALS FREEDOM TO EXPLORE ACCEPTING CRITICISM ART VS. FACILITATION THE JOY OF PROCESS ACTING: MORE THAN A JOB WHY ACTORS AVOID DAILY WORK MAKING THE WORK ENJOYABLE MORE FUN WITH THE WORK TAKE THE CHANCE OF DOING NOTHING DEALING WITH A DIRECTOR’S QUEST FOR RESULTS PREPARATION AND PRE-PREPARATION THE WHAT, WHERE, HOW, AND WHY OF CHOICES OBLIGATION AND CHOICE OUTLINE FOR OBLIGATION AND CHOICE HOW TO APPROACH THE MATERIAL TASK INVENTORY CATALOGING YOUR DAILY EXPERIENCES "CHOICE APPROACHES WORKING FOR THE ANIMAL SELECTIVE EMPHASIS HOW TO DEMYSTIFY SCENE WORK HOW TO DIS-OBLIGATE YOURSELF TAPPING YOUR SUBCONSCIOUS THE CONCEPTUAL TRAPS OF DIALOGUE FULFILLING EMOTIONAL OBLIGATIONS OF MATERIAL BEING IN EVERY ROLE CHARACTERIZATION

THE BUSINESS

THE BUSINESS THE IMPORTANCE OF A WORKSHOP COMMITMENT TO ACTING THE TRUTH ABOUT THE BUSINESS TAKING RESPONSIBILITY DEALING WITH INACTIVITY AND DEPRESSION USING YOUR TIME PRODUCTIVELY OUTER OFFICE, INNER OFFICE COLD READING AN ACTOR MUST ACT TALENT NURTURING THE EGO STATE CONSISTENT HARD WORK FACING REALITY MAINTAINING YOUR PERSONAL INTEGRITY IRREVERENT ACTING LEVELING OVERCOMING ENVY THE ACTOR-AGENT RELATIONSHIP AVOIDING THE TRAPS OF “PROFESSIONAL” PRESSURE MORE THAN A DUMMY COMMUNICATING WITH THE DIRECTOR HOW TO GET COOPERATION FROM OTHER ACTORS HELP YOURSELF WITH CHARTS PUTTING IT ALL TOGETHER

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