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Index
Front Cover
Title Page
Copyright
Contents
Notes on contributors
Preface
Acknowledgments
PART I: Issues and concepts
1 Acting
2 Authorship
3 Censorship
4 Consciousness
5 Definition of “cinema”
6 Depiction
7 Digital cinema
8 Emotion and affect
9 Empathy and character engagement
10 Ethics
11 Film as art
12 Formalism
13 Gender
14 Genre
15 Interpretation
16 Medium
17 Music
18 Narration
19 Narrative closure
20 Ontology
21 Race
22 Realism
23 Spectatorship
24 Sound
25 Style
26 Violence
PART II: Authors and trends
27 Rudolph Arnheim
28 Walter Benjamin
29 David Bordwell
30 Bertolt Brecht
31 Noël Carroll
32 Stanley Cavell
33 Cognitive theory
34 Gilles Deleuze
35 Sergei Eisenstein
36 Christian Metz
37 Jean Mitry
38 Edgar Morin
39 Hugo Münsterberg
40 Phenomenology
41 Psychoanalysis
42 Semiotics and semiology
43 Wittgenstein
PART III: Genres and other types
44 Dogme 95
45 Documentary
46 Horror
47 Pornography
48 Avant-garde film
49 Tragedy and comedy
PART IV: Film as philosophy
50 Film as philosophy
51 Ingmar Bergman
52 Terrence Malick
53 Andrei Tarkovsky
54 Why be moral?
55 Skepticism
56 Personal identity
57 Practical wisdom and the good ground of Gettysburg
58 The Five Obstructions
59 Gattaca
60 Memento
Index
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