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Index
Cover
Title Page
Contents
About the Author
Note on the Text
Introduction
Selected Prose
EARLY ESSAYS AND SKETCHES (1811–14)
1. On the Genius and Character of Hogarth
2. On the Tragedies of Shakspeare
3. Edax on Appetite
4. Hospita on the Immoderate Indulgence of the Pleasures of the Palate
5. The Good Clerk, a Character
6. Wordsworth’s ‘Excursion’
FROM ESSAYS OF ELIA (1823) AND LAST ESSAYS OF ELIA (1833)
7. The Two Races of Men
8. A Quakers’ Meeting
9. The Old and the New Schoolmaster
10. Imperfect Sympathies
11. Witches, and Other Night-Fears
12. Grace Before Meat
13. My First Play
14. Distant Correspondents
15. On the Artificial Comedy of the Last Century
16. Detached Thoughts on Books and Reading
17. Confessions of a Drunkard
18. A Dissertation Upon Roast Pig
19. A Bachelor’s Complaint of the Behaviour of Married People
20. A Character of the Late Elia
21. The Old Margate Hoy
22. The Superannuated Man
23. The Convalescent
24. Stage Illusion
25. Sanity of True Genius
26. Barrenness of the Imaginative Faculty in the Productions of Modern Art
ESSAYS AND SKETCHES (1821–7)
27. Review of the First Volume of Hazlitt’s Table-Talk, 1821
28. Letter of Elia to Robert Southey, Esquire
29. Readers Against the Grain
30. A Vision of Horns
31. The Illustrious Defunct 3272/
32. Many Friends
33. Dog Days
TO THE EDITOR OF THE EVERY–DAY BOOK
34. A Character
35. Charles Lamb’s Autobiography
LETTERS
1. To Samuel Taylor Coleridge
2. To Samuel Taylor Coleridge
3. To Samuel Taylor Coleridge
4. To Samuel Taylor Coleridge
5. To Samuel Taylor Coleridge
6. To Samuel Taylor Coleridge
7. To Samuel Taylor Coleridge
8. To Samuel Taylor Coleridge
9. To Samuel Taylor Coleridge
10. To Thomas Manning
11. To Samuel Taylor Coleridge
12. To Thomas Manning
13. To Robert Lloyd
14. To Samuel Taylor Coleridge
15. To Thomas Manning
16. To Samuel Taylor Coleridge
17. To Thomas Manning
18. To Thomas Manning
19. To Thomas Manning
20. To Thomas Manning
21. To William Wordsworth
22. To Robert Lloyd
23. To Thomas Manning
24. To Thomas Manning
25. To Robert Lloyd
26. To Walter Wilson
27. To Robert Lloyd
28. To Thomas Manning
29. To Thomas Manning
30. To Thomas Manning
31. To Thomas Manning
32. To Thomas Manning
33. To William Wordsworth
34. To William Wordsworth
35. To William Wordsworth
36. To Charles Chambers
37. To Mrs William Wordsworth
38. To Dorothy Wordsworth
39. To Joseph Cottle
40. To Samuel Taylor Coleridge
41. To William Wordsworth
42. To John Clare
43. To Walter Wilson
44. To Bernard Barton
45. To Bernard Barton
46. To Bernard Barton
47. To Bernard Barton
48. To Bernard Barton
49. To Bernard Barton
50. To Thomas Manning
51. To William Wordsworth
52. To Samuel Taylor Coleridge
53. To Bernard Barton
54. To Bernard Barton
55. To John Bates Dibdin
56. To Peter George Patmore
57. To Mrs Basil Montagu
58. To Barron Field
59. To Bernard Barton
60. To Bryan Waller Procter
61. To Henry Crabb Robinson
62. To Henry Crabb Robinson
63. To Henry Crabb Robinson
64. To Bernard Barton
65. To James Gillman
66. To Mary Shelley
67. To William Wordsworth
68. To Dr J. Vale Asbury
69. To Basil Montagu
70. To George Dyer
71. To Thomas Allsop
72. To Maria Fryer
73. To Henry Francis Cary
Notes
Biographical Index of Correspondents and Contemporaries
Appendix One: The Party at Haydon’s
Appendix Two: A Selection of Lamb’s Notes From Specimens of the English Dramatic Poets (1808)
NOTE ON THE CASE IS ALTERED, A COMEDY, BY BEN JOHNSON.
NOTE ON A NEW WONDER: A WOMAN NEVER VEXT, A COMEDY BY ROWLEY.
NOTE ON A FAIR QUARREL, A COMEDY, BY MIDDLETON AND ROWLEY.
NOTE ON THE RICH JEW OF MALTA, A TRAGEDY, BY MARLOWE.
Follow Penguin
Copyright Page
Footnotes
EARLY ESSAYS AND SKETCHES (1811–14)
1. On the Genius and Character of Hogarth
Page 7
Page 9
Page 11
Page 12
Page 13
Page 14
Page 15
2. On the Tragedies of Shakspeare
Page 28
Page 33
Page 41
Page 43
5. The Good Clerk, a Character
Page 60
Page 62
6. Wordsworth’s ‘Excursion’
Page 68
Page 73
FROM ESSAYS OF ELIA (1823) AND LAST ESSAYS OF ELIA (1833)
7. The Two Races of Men
Page 84
8. A Quakers’ Meeting
Page 89
9. The Old and the New Schoolmaster
Page 97
10. Imperfect Sympathies
Page 105
Page 107
11. Witches, and Other Night-Fears
Page 117
17. Confessions of a Drunkard
Page 160
26. Barrenness of the Imaginative Faculty in the Productions of Modern Art
Page 222
ESSAYS AND SKETCHES (1821–7)
31. The Illustrious Defunct 3272/
Page 266
35. Charles Lamb’s Autobiography
Page 281
LETTERS
37. To Mrs William Wordsworth
Page 357
57. To Mrs Basil Montagu
Page 407
Appendix Two: A Selection of Lamb’s Notes From Specimens of the English Dramatic Poets (1808)
Page 439
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