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Index
Cover Page Title Page Copyright Page Contents Series Editors’ General Introduction Dom Casmurro: A Foreword Dom Casmurro
I The Title II The Book III The Accusation IV The Harshest of Duties! V The Dependent VI Uncle Cosme VII Dona Glória VIII Its Time IX The Opera X I Accept the Theory XI The Promise XII On the Verandah XIII Capitu XIV The Inscription XV Another Sudden Voice XVI The Temporary Director XVII The Worms XVIII A Plan XIX Without Fail XX A Thousand Paternosters and a Thousand Ave Marias XXI Cousin Justina XXII Other Peoples Sensations XXIII The Time is Fixed XXIV Like a Mother and a Servant XXV At the Promenade XXVI Law is Wonderful XXVII At the Gateway XXVIII In the Street XXIX The Emperor XXX The Blessed Sacrament XXXI Capitus Curiosity XXXII Undertow Eyes XXXIII Combing XXXIV I Am a Maní XXXV The Protonotary Apostolic XXXVI Idea without Legs, Idea without Arms XXXVII The Soul is Full of Mysteries XXXVIII Goodness, What a Fright! XXXIX My Vocation XL A Mare XLI The Private Audience XLII Capitu Reflects XLIII Are you Afraid? XLIV The First Child XLV Shake your Head, Reader XLVI Peace XLVII Madam’s Gone Out XLVIII The Oath at the Well XLIX A Candle on Saturdays L A Compromise LI In the Half-Light LII Old Pádua LIII On My Way LIV The Panegyric of Saint Monica LV A Sonnet LVI A Seminarist LVII In Preparation LVIII The Treaty LIX Companions with Good Memories LX Dear Panegyric! LXI Homers Cow LXII A Touch of Iago LXIII Halves of a Dream LXIV An Idea and a Scruple LXV Dissembling LXVI Intimacy LXVII A Sin LXVIII Let’s Postpone Virtue LXIX The Mass LXX After Mass LXXI Escobars Visit LXXII A Reform in the Drama LXXIII The Stage Manager LXXIV The Trouserstrap LXXV Despair LXXVI Explanation LXXVII Pleasure in Old Sufferings LXXVIII One Secret for Another LXXIX A Preface to the Chapter LXXX Here is the Chapter LXXI Something my Mother Said LXXXII The Sofa LXXXIII The Portrait LXXXIV A Call LXXXV The Dead Boy LXXXVI Love, My Lads! LXXXVII The Chaise LXXXVIII An Honest Pretext LXXXIX The Refusal XC The Polemic XCI A Consoling Discovery XCII The Devil’s Not as Black as He’s Painted XCIII A Friend for a Dead Boy XCIV Arithmetical Notions XCV The Pope XCVI A Substitute XCVII Leaving XCVIII Five Years XCIX The Son Is the Image of His Father C “You will be Happy, Bentinho!” CI In Heaven CII The Married Woman CIII Happiness Has a Good Heart CIV The Pyramids CV Arms CVI Ten Pounds Sterling CVII Jealousy of the Sea CVIII A Son CIX An Only Son CX Childhood Traits CXI Quickly Told CXII Ezequiel’s Imitations CXIII Third-Party Embargoes CXIV Which Explains What has Already Been Explained CXV Doubts Upon Doubts CXVI Son of Man CXVII Close Friends CXVIII Sancha’s Hand CXIX Don’t Do It, My Dear! CXX Documents CXXI The Catastrophe CXXII The Funeral CXXIII Undertow Eyes CXXIV The Speech CXXV A Comparison CXXVI Thoughts CXXVII The Barber CXXVIII A Handful of Events CXXIX To Dona Sancha CXXX One Day … CXXXI Before the Previous One CXXXII The Outline and the Coloring CXXXIII An Idea CXXXIV Saturday CXXXV Othello CXXXVI The Cup of Coffee CXXXVII A Second Impulse CXXXVIII Enter Capitu CXXXIX The Photograph CXL Return from Church CXLI The Solution CXLII A Saint CXLIII The Last Superlative CXLIV A Belated Question CXLV The Return CXLVI There Was No Leprosy CXLVII The Retrospective Exhibition CXLVIII Well, and the Rest?
Dom Casmurro, the Fruit and the Rind: An Afterword Footnotes
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