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Index
Cover
Title Page
Table of Contents
Preface and Acknowledgments
Between Baraka and Brandom
Chapter 1: Assembly, Not Birth
1 Introduction
2 Inquiry and Assembly
3 On Blackness
4 On the Black Aesthetic Tradition
5 Black Aesthetics as/and Philosophy
6 Conclusion
Chapter 2: No Negroes in Connecticut
1 Introduction
2 Setting the Stage: Blacking Up Zoe
3 Theorizing the (In)visible
4 Theorizing Visuality
5 Two Varieties of Black Invisibility: Presence and Personhood
6 From Persons to Characters: A Detour
7 Two More Varieties of Black Invisibility: Perspectives and Plurality
8 Unseeing Nina Simone
9 Conclusion: Phronesis and Power
Chapter 3: Beauty to Set the World Right
1 Introduction
2 Blackness and the Political
3 Politics and Aesthetics
4 The Politics–Aesthetics Nexus in Black; or, “The Black Nation: A Garvey Production”
5 Autonomy and Separatism
6 Propaganda, Truth, and Art
7 What is Life but Life? Reading Du Bois
8 Apostles of Truth and Right
9 On “Propaganda”
10 Conclusion
Chapter 4: Dark Lovely Yet And; Or, How To Love Black Bodies While Hating Black People
1 Introduction
2 Circumscribing the Topic: Definitions and Distinctions
3 Circumscribing the Topic, cont’d: Context and Scope
4 The Cases
5 Reading the Cases
6 Conclusion
Chapter 5: Roots and Routes
1 Introduction
2 An Easy Case: The Germans in Yorubaland
3 A Harder Case: Kente Capers
4 Varieties of Authenticity
5 From Exegesis to Ethics
6 The Kente Case, Revisited
Chapter 6: Make It Funky; Or, Music’s Cognitive Travels and the Despotism of Rhythm
1 Introduction
2 Beyond the How-Possible: Kivy’s Questions
3 Stimulus, Culture, Race
4 Preliminaries: Rhythm, Brains, and Race Music
5 The Flaw in the Funk
6 (Soul) Power to the People
7 Funky White Boys and Honorary Soul Sisters
8 Conclusion
Chapter 7: Conclusion
Index
End User License Agreement
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