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Index
Cover
Acknowledgements
introduction: mapping my beginnings as a quilt artist
mapping out ways of working
• Sources of inspiration
• Why maps?
• Using architecture as design inspiration
• Architect versus artist
• The best of both worlds
materials and tools for creating a fiber-art map
• Basic equipment for sewing, cutting, and fusing
• Transfer and stencil supplies
• Fabrics and stabilizers
• Painting supplies
• Stamping supplies
background music: the landscape layer
• Materials
• The opaque layer
• The painted layer
• The translucent layer
• More backgrounds
putting it on the map: techniques to create lines and shapes
• Materials
• The basics
• Lines and shapes on the landscape
• Techniques for creating lines and shapes
• Gallery of lines and shapes
map haiku: visual poetry
• What is a haiku?
• Writing the haiku
• The design process
• The vocabulary of lines and shapes
• The background
• The opaque layer
• The painted layer
• The translucent layer
• The map details
• Finishing
• Gallery
fiber-art travel maps
• Materials
• Creating a pattern
• Creating the background layer
• Adding stones and shadows
• Adding context
• For your consideration
mapping personal memories and landscapes
• Starting places
• Words and memories
• Collecting the images
• Collecting the reference maps
• Design sketches
• Prep work
• Creating the background layer
• Putting it on the map
• Reaching for the finish line
gallery of work by the author
gallery of work by students
resources
about the author
Copyright
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